One picture only was removed—a photograph of himself which had hung under one of his father and between those of his brother and sister. Ernest noticed this at prayer time, while his father was reading about Noah’s ark and how they daubed it with slime, which, as it happened, had been Ernest’s favourite text when he was a boy. Next morning, however, the photograph had found its way back again, a little dusty and with a bit of the gilding chipped off from one corner of the frame, but there sure enough it was. I suppose they put it back when they found how rich he had become.
In the dining-room the ravens were still trying to feed Elijah over the fireplace; what a crowd of reminiscences did not this picture bring back! Looking out of the window, there were the flower beds in the front garden exactly as they had been, and Ernest found himself looking hard against the blue door at the bottom of the garden to see if there was rain falling, as he had been used to look when he was a child doing lessons with his father.
After their early dinner, when Joey and Ernest and their father were left alone, Theobald rose and stood in the middle of the hearthrug under the Elijah picture, and began to whistle in his old absent way. He had two tunes only, one was “In my Cottage near a Wood,” and the other was the Easter Hymn; he had been trying to whistle them all his life, but had never succeeded; he whistled them as a clever bullfinch might whistle them—he had got them, but he had not got them right; he would be a semitone out in every third note as though reverting to some remote musical progenitor, who had known none but the Lydian or the Phrygian mode, or whatever would enable him to go most wrong while still keeping the tune near enough to be recognised. Theobald stood before the middle of the fire and whistled his two tunes softly in his own old way till Ernest left the room; the unchangedness of the external and changedness of the internal he felt were likely to throw him completely off his balance.
He strolled out of doors into the sodden spinney behind the house, and solaced himself with a pipe. Ere long he found himself at the door of the cottage of his father’s coachman, who had married an old lady’s maid of his mother’s, to whom Ernest had been always much attached as she also to him, for she had known him ever since he had been five or six years old. Her name was Susan. He sat down in the rocking-chair before her fire, and Susan went on ironing at the table in front of the window, and a smell of hot flannel pervaded the kitchen.
Susan had been retained too securely by Christina to be likely to side with Ernest all in a moment. He knew this very well, and did not call on her for the sake of support, moral or otherwise. He had called because he liked her, and also because he knew that he should gather much in a chat with her that he should not be able to arrive at in any other way.