I looked up and found myself nigh Eliot’s pulpit, at the base of which sat Hollingsworth, with Priscilla at his feet and Zenobia standing before them.

XXV.  THE THREE TOGETHER

Hollingsworth was in his ordinary working-dress.  Priscilla wore a pretty and simple gown, with a kerchief about her neck, and a calash, which she had flung back from her head, leaving it suspended by the strings.  But Zenobia (whose part among the maskers, as may be supposed, was no inferior one) appeared in a costume of fanciful magnificence, with her jewelled flower as the central ornament of what resembled a leafy crown, or coronet.  She represented the Oriental princess by whose name we were accustomed to know her.  Her attitude was free and noble; yet, if a queen’s, it was not that of a queen triumphant, but dethroned, on trial for her life, or, perchance, condemned already.  The spirit of the conflict seemed, nevertheless, to be alive in her.  Her eyes were on fire; her cheeks had each a crimson spot, so exceedingly vivid, and marked with so definite an outline, that I at first doubted whether it were not artificial.  In a very brief space, however, this idea was shamed by the paleness that ensued, as the blood sunk suddenly away.  Zenobia now looked like marble.

One always feels the fact, in an instant, when he has intruded on those who love, or those who hate, at some acme of their passion that puts them into a sphere of their own, where no other spirit can pretend to stand on equal ground with them.  I was confused,—­ affected even with a species of terror,—­and wished myself away.  The intenseness of their feelings gave them the exclusive property of the soil and atmosphere, and left me no right to be or breathe there.

“Hollingsworth,—­Zenobia,—­I have just returned to Blithedale,” said I, “and had no thought of finding you here.  We shall meet again at the house.  I will retire.”

“This place is free to you,” answered Hollingsworth.

“As free as to ourselves,” added Zenobia.  “This long while past, you have been following up your game, groping for human emotions in the dark corners of the heart.  Had you been here a little sooner, you might have seen them dragged into the daylight.  I could even wish to have my trial over again, with you standing by to see fair play!  Do you know, Mr. Coverdale, I have been on trial for my life?”

She laughed, while speaking thus.  But, in truth, as my eyes wandered from one of the group to another, I saw in Hollingsworth all that an artist could desire for the grim portrait of a Puritan magistrate holding inquest of life and death in a case of witchcraft; in Zenobia, the sorceress herself, not aged, wrinkled, and decrepit, but fair enough to tempt Satan with a force reciprocal to his own; and, in Priscilla, the pale victim, whose soul and body had been wasted by her spells.  Had a pile of fagots been heaped against the rock, this hint of impending doom would have completed the suggestive picture.