After having climbed this perpendicular corkscrew until their brains were almost giddy, they arrived in a little matted lobby, which served as an ante-room to Rose’s sanctum SANCTORUM, and through which they entered her parlour.  It was a small but pleasant apartment, opening to the south, and hung with tapestry; adorned besides with two pictures, one of her mother, in the dress of a shepherdess, with a bell-hoop; the other of the Baron, in his tenth year, in a blue coat, embroidered waistcoat, laced hat, and bag-wig, with a bow in his hand.  Edward could not help smiling at the costume, and at the odd resemblance between the round, smooth, red-checked, staring visage in the portrait, and the gaunt, bearded, hollow-eyed, swarthy features, which travelling, fatigues of war, and advanced age, had bestowed on the original.  The Baron joined in the laugh.  ‘Truly,’ he said, ’that picture was a woman’s fantasy of my good mother’s (a daughter of the Laird of Tulliellum, Captain Waverley; I indicated the house to you when we were on the top of the Shinnyheuch; it was burnt by the Dutch auxiliaries brought in by the Government in 1715); I never sat for my pourtraicture but once since that was painted, and it was at the special and reiterated request of the Marechal Duke of Berwick.’

The good old gentleman did not mention what Mr. Rubrick afterwards told Edward, that the Duke had done him this honour on account of his being the first to mount the breach of a fort; in Savoy during the memorable campaign of 1709, and his having there defended himself with his half-pike for nearly ten minutes before any support reached him.  To do the Baron justice, although sufficiently prone to dwell upon, and even to exaggerate, his family dignity and consequence, he was too much a man of real courage ever to allude to such personal acts of merit as he had himself manifested.

Miss Rose now appeared from the interior room of her apartment, to welcome her father and his friends.  The little labours in which she had been employed obviously showed a natural taste, which required only cultivation.  Her father had taught her French and Italian, and a few of the ordinary authors in those languages ornamented her shelves.  He had endeavoured also to be her preceptor in music; but as he began with the more abstruse doctrines of the science, and was not perhaps master of them himself, she had made no proficiency further than to be able to accompany her voice with the harpsichord; but even this was not very common in Scotland at that period.  To make amends, she sang with great taste and feeling, and with a respect to the sense of what she uttered that might be proposed in example to ladies of much superior musical talent.  Her natural good sense taught her, that if, as we are assured by high authority, music be ‘married to immortal verse,’ they are very often divorced by the performer in a most shameful manner.  It was perhaps owing to this sensibility to poetry, and power of combining its expression with those of the musical notes, that her singing gave more pleasure to all the unlearned in music, and even to many of the learned, than could have been communicated by a much finer voice and more brilliant execution, unguided by the same delicacy of feeling.