In the midst of them were several privileged officers, and, lastly, the interpreters were mingled among the spectators, to translate my remarks to them.

I was also told that several curious people, having been unable to procure tickets, had assumed the Arab burnous, and, binding the camel’s-hair cord round their foreheads, had slipped in among their new coreligionists.

This strange medley of spectators was indeed a most curious sight.  The dress circle, more especially, presented an appearance as grand as it was imposing.  Some sixty Arab chiefs, clothed in their red mantles (the symbol of their submission to France), on which one or more decorations glistened, gravely awaited my performance with majestic dignity.

I have performed before many brilliant assemblies, but never before one which struck me so much as this.  However, the impression I felt on the rise of the curtain, far from paralyzing me, on the contrary inspired me with a lively sympathy for the spectators, whose faces seemed so well prepared to accept the marvels promised them.  As soon as I walked on the stage, I felt quite at my ease, and enjoyed, in anticipation, the sight I was going to amuse myself with.

I felt, I confess, rather inclined to laugh at myself and my audience, for I stepped forth, wand in hand, with all the gravity of a real Sorcerer.  Still, I did not give way, for I was here not merely to amuse a curious and kind public, I must produce a startling effect upon coarse minds and prejudices, for I was enacting the part of a French Marabout.

Compared with the simple tricks of their pretended sorcerers, my experiments must appear perfect miracles to the Arabs.

I commenced my performance in the most profound, I might almost say religious, silence, and the attention of the spectators was so great that they seemed petrified.  Their fingers alone moving nervously, played with the beads of their rosaries, while they were, doubtless, invoking the protection of the Most High.

This apathetic condition did not suit me, for I had not come to Algeria to visit a waxwork exhibition.  I wanted movement, animation, life in fact, around me.

I changed my batteries, and, instead of generalizing my remarks, I addressed them more especially to some of the Arabs, whom I stimulated by my words, and still more by my actions.  The astonishment then gave way to a more expressive feeling, which was soon evinced by noisy outbursts.

This was especially the case when I produced cannon balls from a hat, for my spectators, laying aside their gravity, expressed their delighted admiration by the strangest and most energetic gestures.

Then came—­greeted by the same success—­the bouquet of flowers, produced instantaneously from a hat; the Cornucopia, supplying a multitude of objects which I distributed, though unable to satisfy the repeated demands made on all sides, and still more by those who had their hands full already; the five-franc pieces, sent across the theater with a crystal box suspended above the spectators.