He visited England in youth, and fifty years later. On the anniversary of the American defeat at Bunker’s Hill (June 17), Dr. Holmes got his degree in the old Cambridge. He received degrees at Edinburgh and at Oxford, in his “Hundred Days in Europe” he says very little about these historic cities. The men at Oxford asked, “Did he come in the ’One Hoss Shay’?” the name of his most familiar poem in the lighter vein. The whole visit to England pleased and wearied him. He likened it to the shass caffy of Mr. Henry Foker—the fillip at the end of the long banquet of life. He went to see the Derby, for he was fond of horses, of racing, and, in a sportsmanlike way, of boxing. He had the great boldness once, audax juventa, to write a song in praise of that comfortable creature—wine. The prudery of many Americans about the juice of the grape is a thing very astonishing to a temperate Briton. An admirable author, who wrote an account of the old convivial days of an American city, found that reputable magazines could not accept such a degrading historical record. There was no nonsense about Dr. Holmes. His poems were mainly “occasional” verses for friendly meetings; or humorous, like the celebrated “One Horse Shay.” Of his serious verses, the “Nautilus” is probably too familiar to need quotation; a noble fancy is nobly and tunefully “moralised.” Pleasing, cultivated, and so forth, are adjectives not dear to poets. To say “sublime,” or “magical,” or “strenuous,” of Dr. Holmes’s muse, would be to exaggerate. How far he maintained his scholarship, I am not certain; but it is odd that, in his preface to “The Guardian Angel,” he should quote from “Jonathan Edwards the younger,” a story for which he might have cited Aristotle.
Were I to choose one character out of Dr. Holmes’s creations as my favourite, it would be “a frequent correspondent of his,” and of mine—the immortal Gifted Hopkins. Never was minor poet more kindly and genially portrayed. And if one had to pick out three of his books, as the best worth reading, they would be “The Professor,” “Elsie Venner,” and “The Guardian Angel.” They have not the impeccable art and distinction of “The House of the Seven Gables” and “The Scarlet Letter,” but they combine fantasy with living human interest, and with humour. With Sir Thomas Browne, and Dr. John Brown, and—may