The rhymes, unlearned, clung to my memory; they would sing themselves to me on the way to school, or cricket-field, and, about the age of ten, probably without quite understanding them, I had chosen them for a kind of motto in life, a tune to murmur along the fallentis semita vitae.  This seems a queer idea for a small boy, but it must be confessed.

“It takes all sorts to make a world,” some are soldiers from the cradle, some merchants, some orators; nothing but a love of books was the gift given to me by the fairies.  It was probably derived from forebears on both sides of my family, one a great reader, the other a considerable collector of books which remained with us and were all tried, persevered with, or abandoned in turn, by a student who has not blanched before the Epigoniad.

About the age of four I learned to read by a simple process.  I had heard the elegy of Cock Robin till I knew it by rote, and I picked out the letters and words which compose that classic till I could read it for myself.  Earlier than that, “Robinson Crusoe” had been read aloud to me, in an abbreviated form, no doubt.  I remember the pictures of Robinson finding the footstep in the sand, and a dance of cannibals, and the parrot.  But, somehow, I have never read “Robinson” since:  it is a pleasure to come.

The first books which vividly impressed me were, naturally, fairy tales, and chap-books about Robert Bruce, William Wallace, and Rob Roy.  At that time these little tracts could be bought for a penny apiece.  I can still see Bruce in full armour, and Wallace in a kilt, discoursing across a burn, and Rob Roy slipping from the soldier’s horse into the stream.  They did not then awaken a precocious patriotism; a boy of five is more at home in Fairyland than in his own country.  The sudden appearance of the White Cat as a queen after her head was cut off, the fiendish malice of the Yellow Dwarf, the strange cake of crocodile eggs and millet seed which the mother of the Princess Frutilla made for the Fairy of the Desert—­these things, all fresh and astonishing, but certainly to be credited, are my first memories of romance.  One story of a White Serpent, with a woodcut of that mysterious reptile, I neglected to secure, probably for want of a penny, and I have regretted it ever since.  One never sees those chap books now.  “The White Serpent,” in spite of all research, remains introuvable.  It was a lost chance, and Fortune does not forgive.  Nobody ever interfered with these, or indeed with any other studies of ours at that time, as long as they were not prosecuted on Sundays.  “The fightingest parts of the Bible,” and the Apocrypha, and stories like that of the Witch of Endor, were sabbatical literature, read in a huge old illustrated Bible.  How I advanced from the fairy tales to Shakespeare, what stages there were on the way—­for there must have been stages—­is a thing that memory cannot recover.  A nursery legend