Godefroid, grave and thoughtful, took little part in the general conversation which now followed.  He was stunned by the communication Madame de la Chanterie had just made to him, in a tone which implied that she wished to reward his ardor.

“Five thousand families assisted!” he kept repeating to himself.  “If they were to cost what I am to spend on Monsieur Bernard, we must have millions scattered through Paris.”

This thought was the last expiring movement of the spirit of the world, which had slowly and insensibly become extinguished in Godefroid.  On reflection he saw that the united fortunes of Madame de la Chanterie, Messieurs Alain, Nicolas, Joseph, and that of Judge Popinot, the gifts obtained through the Abbe de Veze, and the assistance lent by the firm of Mongenod must produce a large capital; and that this capital, increased during the last dozen years by grateful returns from those assisted, must have grown like a snowball, inasmuch as the charitable stewards of it spent so little on themselves.  Little by little he began to see clearly into this vast work, and his desire to co-operate in it increased.

He was preparing at nine o’clock to return on foot to the boulevard du Mont-Parnasse; but Madame de la Chanterie, fearing the solitude of that neighborhood at a late hour, made him take a cab.  When he reached the house Godefroid heard the sound of an instrument, though the shutters were so carefully closed that not a ray of light issued through them.  As soon as he reached the landing, Auguste, who was probably on the watch for him, opened the door of Monsieur Bernard’s apartment and said:—­

“Mamma would like to see you, and my grandfather offers you a cup of tea.”

When Godefroid entered, the patient seemed to him transfigured by the pleasure she felt in making music; her face was radiant, her eyes were sparkling like diamonds.

“I ought to have waited to let you hear the first sounds,” she said to Godefroid, “but I flung myself upon the little organ as a starving man flings himself on food.  You have a soul that comprehends me, and I know you will forgive.”

Vanda made a sign to her son, who placed himself in such a way as to press with his foot the pedal which filled the bellows; and then the invalid, whose fingers had for the time recovered all their strength and agility, raising her eyes to heaven like Saint Cecilia, played the “Prayer of Moses in Egypt,” which her son had bought for her and which she had learned by heart in a few hours.  Godefroid recognized in her playing the same quality as in Chopin’s.  The soul was satisfied by divine sounds of which the dominant note was that of tender melancholy.  Monsieur Bernard had received Godefroid with a look that was long a stranger to his eyes.  If tears were not forever dried at their source, withered by such scorching sorrows, that look would have been tearful.

The old man sat playing with his snuff-box and looking at his daughter in silent ecstasy.