On War — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 362 pages of information about On War — Volume 1.

On War — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 362 pages of information about On War — Volume 1.

An occurrence which, instead of being carefully analysed in all its parts, is superficially noticed, is like an object seen at a great distance, presenting the same appearance on each side, and in which the details of its parts cannot be distinguished.  Such examples have, in reality, served to support the most contradictory opinions.  To some Daun’s campaigns are models of prudence and skill.  To others, they are nothing but examples of timidity and want of resolution.  Buonaparte’s passage across the Noric Alps in 1797 may be made to appear the noblest resolution, but also as an act of sheer temerity.  His strategic defeat in 1812 may be represented as the consequence either of an excess, or of a deficiency, of energy.  All these opinions have been broached, and it is easy to see that they might very well arise, because each person takes a different view of the connection of events.  At the same time these antagonistic opinions cannot be reconciled with each other, and therefore one of the two must be wrong.

Much as we are obliged to the worthy Feuquieres for the numerous examples introduced in his memoirs—­partly because a number of historical incidents have thus been preserved which might otherwise have been lost, and partly because he was one of the first to bring theoretical, that is, abstract, ideas into connection with the practical in war, in so far that the cases brought forward may be regarded as intended to exemplify and confirm what is theoretically asserted—­yet, in the opinion of an impartial reader, he will hardly be allowed to have attained the object he proposed to himself, that of proving theoretical principles by historical examples.  For although he sometimes relates occurrences with great minuteness, still he falls short very often of showing that the deductions drawn necessarily proceed from the inner relations of these events.

Another evil which comes from the superficial notice of historical events, is that some readers are either wholly ignorant of the events, or cannot call them to remembrance sufficiently to be able to grasp the author’s meaning, so that there is no alternative between either accepting blindly what is said, or remaining unconvinced.

It is extremely difficult to put together or unfold historical events before the eyes of a reader in such a way as is necessary, in order to be able to use them as proofs; for the writer very often wants the means, and can neither afford the time nor the requisite space; but we maintain that, when the object is to establish a new or doubtful opinion, one single example, thoroughly analysed, is far more instructive than ten which are superficially treated.  The great mischief of these superficial representations is not that the writer puts his story forward as a proof when it has only a false title, but that he has not made himself properly acquainted with the subject, and that from this sort of slovenly, shallow treatment of history, a hundred false views and attempts at the construction of theories arise, which would never have made their appearance if the writer had looked upon it as his duty to deduce from the strict connection of events everything new which he brought to market, and sought to prove from history.

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On War — Volume 1 from Project Gutenberg. Public domain.