“‘The devil take you!  What do you want?’ was probably what he said to himself,” thought Nekhludoff, who had been observing all this scene.  But the strong, handsome Philip at once managed to conceal the signs of his impatience, and went on quietly carrying out the orders of the worn, weak, false Sophia Vasilievna.

“Of course, there is a good deal of truth in Lombroso’s teaching,” said Kolosoff, lolling back in the low chair and looking at Sophia Vasilievna with sleepy eyes; “but he over-stepped the mark.  Oh, yes.”

“And you?  Do you believe in heredity?” asked Sophia Vasilievna, turning to Nekhludoff, whose silence annoyed her.  “In heredity?” he asked.  “No, I don’t.”  At this moment his whole mind was taken up by strange images that in some unaccountable way rose up in his imagination.  By the side of this strong and handsome Philip he seemed at this minute to see the nude figure of Kolosoff as an artist’s model; with his stomach like a melon, his bald head, and his arms without muscle, like pestles.  In the same dim way the limbs of Sophia Vasilievna, now covered with silks and velvets, rose up in his mind as they must be in reality; but this mental picture was too horrid and he tried to drive it away.

“Well, you know Missy is waiting for you,” she said.  “Go and find her.  She wants to play a new piece by Grieg to you; it is most interesting.”

“She did not mean to play anything; the woman is simply lying, for some reason or other,” thought Nekhludoff, rising and pressing Sophia Vasilievna’s transparent and bony, ringed hand.

Katerina Alexeevna met him in the drawing-room, and at once began, in French, as usual: 

“I see the duties of a juryman act depressingly upon you.”

“Yes; pardon me, I am in low spirits to-day, and have no right to weary others by my presence,” said Nekhludoff.

“Why are you in low spirits?”

“Allow me not to speak about that,” he said, looking round for his hat.

“Don’t you remember how you used to say that we must always tell the truth?  And what cruel truths you used to tell us all!  Why do you not wish to speak out now?  Don’t you remember, Missy?” she said, turning to Missy, who had just come in.

“We were playing a game then,” said Nekhludoff, seriously; “one may tell the truth in a game, but in reality we are so bad—­I mean I am so bad—­that I, at least, cannot tell the truth.”

“Oh, do not correct yourself, but rather tell us why we are so bad,” said Katerina Alexeevna, playing with her words and pretending not to notice how serious Nekhludoff was.

“Nothing is worse than to confess to being in low spirits,” said Missy.  “I never do it, and therefore am always in good spirits.”

Nekhludoff felt as a horse must feel when it is being caressed to make it submit to having the bit put in its mouth and be harnessed, and to-day he felt less than ever inclined to draw.