Francesca turned away from the parapet, leaving Rodolphe, and went to the further end of the terrace, whence there is a wide prospect of the lake.  Watching her as she slowly walked away, Rodolphe suspected that he had wounded her soul, at once so simple and so wise, so proud and so humble.  It turned him cold; he followed Francesca, who signed to him to leave her to herself.  But he did not heed the warning, and detected her wiping away her tears.  Tears! in so strong a nature.

“Francesca,” said he, taking her hand, “is there a single regret in your heart?”

She was silent, disengaged her hand which held her embroidered handkerchief, and again dried her eyes.

“Forgive me!” he said.  And with a rush, he kissed her eyes to wipe away the tears.

Francesca did not seem aware of his passionate impulse, she was so violently agitated.  Rodolphe, thinking she consented, grew bolder; he put his arm round her, clasped her to his heart, and snatched a kiss.  But she freed herself by a dignified movement of offended modesty, and, standing a yard off, she looked at him without anger, but with firm determination.

“Go this evening,” she said.  “We meet no more till we meet at Naples.”

This order was stern, but it was obeyed, for it was Francesca’s will.

* * * * *

On his return to Paris Rodolphe found in his rooms a portrait of Princess Gandolphini painted by Schinner, as Schinner can paint.  The artist had passed through Geneva on his way to Italy.  As he had positively refused to paint the portraits of several women, Rodolphe did not believe that the Prince, anxious as he was for a portrait of his wife, would be able to conquer the great painter’s objections; but Francesca, no doubt, had bewitched him, and obtained from him—­which was almost a miracle—­an original portrait for Rodolphe, and a duplicate for Emilio.  She told him this in a charming and delightful letter, in which the mind indemnified itself for the reserve required by the worship of the proprieties.  The lover replied.  Thus began, never to cease, a regular correspondence between Rodolphe and Francesca, the only indulgence they allowed themselves.

Rodolphe, possessed by an ambition sanctified by his love, set to work.  First he longed to make his fortune, and risked his all in an undertaking to which he devoted all his faculties as well as his capital; but he, an inexperienced youth, had to contend against duplicity, which won the day.  Thus three years were lost in a vast enterprise, three years of struggling and courage.

The Villele ministry fell just when Rodolphe was ruined.  The valiant lover thought he would seek in politics what commercial industry had refused him; but before braving the storms of this career, he went, all wounded and sick at heart, to have his bruises healed and his courage revived at Naples, where the Prince and Princess had been reinstated in their place and rights on the King’s accession.  This, in the midst of his warfare, was a respite full of delights; he spent three months at the Villa Gandolphini, rocked in hope.