The capsule of the pansy expands into three valves, each scooped out like a boat and laden in the middle with two rows of seeds. When these valves dry, the edges shrivel, press upon the grains and eject them.
Light seeds, especially those of the order of Compositae, have aeronautic apparatus—tufts, plumes, fly-wheels—which keep them up in the air and enable them to take distant voyages. In this way, at the least breath, the seeds of the dandelion, surmounted by a tuft of feathers, fly from their dry receptacle and waft gently in the air.
Next to the tuft, the wing is the most satisfactory contrivance for dissemination by wind. Thanks to their membranous edge, which gives them the appearance of thin scales, the seeds of the yellow wall-flower reach high cornices of buildings, clefts of inaccessible rocks, crannies in old walls, and sprout in the remnant of mould bequeathed by the mosses that were there before them.
The samaras, or keys, of the elm, formed of a broad, light fan with the seed cased in its centre; those of the maple, joined in pairs and resembling the unfurled wings of a bird; those of the ash, carved like the blade of an oar, perform the most distant journeys when driven before the storm.
Like the plant, the insect also sometimes possesses travelling-apparatus, means of dissemination that allow large families to disperse quickly over the country, so that each member may have his place in the sun without injuring his neighbour; and these apparatus, these methods vie in ingenuity with the elm’s samara, the dandelion-plume and the catapult of the squirting cucumber.
Let us consider, in particular, the Epeirae, those magnificent Spiders who, to catch their prey, stretch, between one bush and the next, great vertical sheets of meshes, resembling those of the fowler. The most remarkable in my district is the Banded Epeira (Epeira fasciata, WALCK.), so prettily belted with yellow, black and silvery white. Her nest, a marvel of gracefulness, is a satin bag, shaped like a tiny pear. Its neck ends in a concave mouthpiece closed with a lid, also of satin. Brown ribbons, in fanciful meridian waves, adorn the object from pole to pole.
Open the nest. We have seen, in an earlier chapter, {28} what we find there; let us retell the story. Under the outer wrapper, which is as stout as our woven stuffs and, moreover, perfectly waterproof, is a russet eiderdown of exquisite delicacy, a silky fluff resembling driven smoke. Nowhere does mother-love prepare a softer bed.
In the middle of this downy mass hangs a fine, silk, thimble-shaped purse, closed with a movable lid. This contains the eggs, of a pretty orange-yellow and about five hundred in number.
All things considered, is not this charming edifice an animal fruit, a germ-casket, a capsule to be compared with that of the plants? Only, the Epeira’s wallet, instead of seeds, holds eggs. The difference is more apparent than real, for egg and grain are one.