We spent the evenings far more gaily than the days.  As a rule, by the time the sun was setting and long shadows were lying across the yard, we—­that is, Tatyana Ivanovna, Pobyedimsky, and I—­were sitting on the steps of the lodge.  We did not talk till it grew quite dusk.  And, indeed, what is one to talk of when every subject has been talked over already?  There was only one thing new, my uncle’s arrival, and even that subject was soon exhausted.  My tutor never took his eyes off Tatyana Ivanovna ’s face, and frequently heaved deep sighs....  At the time I did not understand those sighs, and did not try to fathom their significance; now they explain a great deal to me.

When the shadows merged into one thick mass of shade, the bailiff Fyodor would come in from shooting or from the field.  This Fyodor gave me the impression of being a fierce and even a terrible man.  The son of a Russianized gipsy from Izyumskoe, swarthy-faced and curly-headed, with big black eyes and a matted beard, he was never called among our Kotchuevko peasants by any name but “The Devil.”  And, indeed, there was a great deal of the gipsy about him apart from his appearance.  He could not, for instance, stay at home, and went off for days together into the country or into the woods to shoot.  He was gloomy, ill-humoured, taciturn, was afraid of nobody, and refused to recognize any authority.  He was rude to mother, addressed me familiarly, and was contemptuous of Pobyedimsky’s learning.  All this we forgave him, looking upon him as a hot-tempered and nervous man; mother liked him because, in spite of his gipsy nature, he was ideally honest and industrious.  He loved his Tatyana Ivanovna passionately, like a gipsy, but this love took in him a gloomy form, as though it cost him suffering.  He was never affectionate to his wife in our presence, but simply rolled his eyes angrily at her and twisted his mouth.

When he came in from the fields he would noisily and angrily put down his gun, would come out to us on the steps, and sit down beside his wife.  After resting a little, he would ask his wife a few questions about household matters, and then sink into silence.

“Let us sing,” I would suggest.

My tutor would tune his guitar, and in a deep deacon’s bass strike up “In the midst of the valley.”  We would begin singing.  My tutor took the bass, Fyodor sang in a hardly audible tenor, while I sang soprano in unison with Tatyana Ivanovna.

When the whole sky was covered with stars and the frogs had left off croaking, they would bring in our supper from the kitchen.  We went into the lodge and sat down to the meal.  My tutor and the gipsy ate greedily, with such a sound that it was hard to tell whether it was the bones crunching or their jaws, and Tatyana Ivanovna and I scarcely succeeded in getting our share.  After supper the lodge was plunged in deep sleep.

One evening, it was at the end of May, we were sitting on the steps, waiting for supper.  A shadow suddenly fell across us, and Gundasov stood before us as though he had sprung out of the earth.  He looked at us for a long time, then clasped his hands and laughed gaily.