in hand, and waited.  Then followed an awkward interval—­there was a hitch somewhere.  A strange silence fell upon the laughing groups; the air grew tense with expectation; in the pantry, Amos Boggs, the butler, in his agitation split a bottle of port over his new cinnamon-colored small-clothes.  Then a whisper—­a whisper suppressed these twenty minutes—­ran through the apartments,—­“The bridegroom has not come!”.  He never came.  The mystery of that night remains a mystery after the lapse of a century and a quarter.

What had become of James McDonough?  The assassination of so notable a person in a community where every strange face was challenged, where every man’s antecedents were known, could not have been accomplished without leaving some slight traces.  Not a shadow of foul play was discovered.  That McDonough had been murdered or had committed suicide were theories accepted at first by a few, and then by no one.  On the other hand, he was in love with his fiancee, he had wealth, power, position—­why had he fled?  He was seen a moment on the public street, and then never seen again.  It was as if he turned into air.  Meanwhile the bewilderment of the bride was dramatically painful.  If McDonough had been waylaid and killed, she could mourn for him.  If he had deserted her, she could wrap herself in her pride.  But neither course lay open to her, then or afterward.  In one of the Twice Told Tales Hawthorne deals with a man named Wakefield, who disappears with like suddenness, and lives unrecognized for twenty years in a street not far from his abandoned hearthside.  Such expunging of one’s self was not possible in Portsmouth; but I never think of McDonough without recalling Wakefield.  I have an inexplicable conviction that for many a year James McDonough, in some snug ambush, studied and analyzed the effect of his own startling disappearance.

Some time in the year 1758, there dawned upon Portsmouth a personage bearing the ponderous title of King’s Attorney, and carrying much gold lace about him.  This gilded gentleman was Mr. Wyseman Clagett, of Bristol, England, where his father dwelt on the manor of Broad Oaks, in a mansion with twelve chimneys, and kept a coach and eight or ten servants.  Up to the moment of his advent in the colonies, Mr. Wyseman Clagett had evidently not been able to keep anything but himself.  His wealth consisted of his personal decorations, the golden frogs on his lapels, and the tinsel at his throat; other charms he had none.  Yet with these he contrived to dazzle the eyes of Lettice Mitchel, one of the young beauties of the province, and to cause her to forget that she had plighted troth with a Mr. Warner, then in Europe, and destined to return home with a disturbed heart.  Mr. Clagett was a man of violent temper and ingenious vindictiveness, and proved more than a sufficient punishment for Lettice’s infidelity.  The trifling fact that Warner was dead—­he died shortly after his return—­did not interfere with the course of Mr. Clagett’s jealousy; he was haunted by the suspicion that Lettice regretted her first love, having left nothing undone to make her do so.  “This is to pay Warner’s debts,” remarked Mr. Clagett, as he twitched off the table-cloth and wrecked the tea-things.