Spanish Bloodhounds and English Mastiffs From “Westward Ho!” By CHARLES KINGSLEY
The Club-Hauling of the Diomede
From “Peter Simple.”
By captain Frederick marryat
The Cruise of the Torch
From “Tom Cringle’s Log.”
By Michael Scott
The Merchantman and the Pirate
From “Hard Cash.” By
Charles Reade
The Mutiny of the Bounty
From “Chamber’s Miscellany.”
Anonymous
The Wreck of the Royal Caroline
From “The Red Rover.”
By James Fennimore Cooper
The Capture of the Great White Whale
From “Moby Dick.” By
Herman Melville
The Corvette Claymore
From “Ninety-three.”
By Victor Hugo
The Merchants’ Cup
From “Broken Stowage.”
By David W. Bone
A Storm and a Rescue
From “The Wreck of the Grosvenor.”
By W. Clark Russell
The Sailor’s Wife
From “An Iceland Fisherman.”
By Pierre LOTI
The Salving of the Yan-Shan
From “In Blue Waters.”
By H. De Vere STACKPOOLE
The Derelict Neptune
From “Spun Gold.” By
Morgan Robertson
The Terrible Solomons
From “South Sea Tales.”
By jack London
El Dorado
From “A Tarpaulin Muster.”
By John Masefield
ILLUSTRATION
Song sung by labor gang.
FOREWORD
The theme of the sea is heroic—epic. Since the first stirrings of the imagination of man the sea has enthralled him; and since the dawn of literature he has chronicled his wanderings upon its vast bosom.
It is one of the curiosities of literature, a fact that old Isaac Disraeli might have delighted to linger over, that there have been no collectors of sea-tales; that no man has ever, as in the present instance, dwelt upon the topic with the purpose of gathering some of the best work into a single volume. And yet men have written of the sea since 2500 B.C. when an unknown author set down on papyrus his account of a struggle with a sea-serpent. This account, now in the British Museum, is the first sea-story on record. Our modern sea-stories begin properly with the chronicles of the early navigators—in many of which there is an unconscious art that none of our modern masters of fiction has greatly surpassed. For delightful reading the lover of sea stories is referred to Best’s account of Frobisher’s second voyage—to Richard Chancellor’s chronicle of the same period—to Hakluyt, an immortal classic—and to Purchas’ “Pilgrimage.”