Of the Cromwell’s Letters and Speeches (1845) we have already spoken, as the greatest of our author’s effective products, inasmuch as it produced the most definite practical result in moulding opinion, and a result of the highest importance. But it is not, as we have seen, a work of art, or even an organic work at all, and it cannot compare in literary charm with some other of the author’s works. We do not turn to the Cromwell again and again, as we do to the French Revolution, or to Sartor, which we can take up from time to time as we do a poem or a romance. Many of the great books of the world are not read and re-read by the public, just as none but special students continually resort to the Novum Organum, or the Wealth of Nations. For similar reasons, the Cromwell will never be a favourite book with the next century, as it cannot be said to have been with ours. It has done its work with masterly power; and its work will endure. And some day perhaps, from out these materials, and those collected by Mr. Gardiner, and by [Transcriber’s note: next two words transliterated from Greek] oi peri Gardiner, a Life of Cromwell may be finally composed.
It is true that Carlyle’s determination to force Oliver upon us as perfect saint and infallible hero is irritating and sometimes laughable; it is true that his zeal to be-dwarf every one but Cromwell himself is unjust and untrue; and the depreciation of every man who declines to play into Oliver’s hands is too often manifest. But, on the whole, the judgments are so sound, the supporting authorities are so overwhelming, the work of verification is so thorough, so scrupulous, so perfectly borne out by all subsequent research—that the future will no doubt look on the Cromwell, not only as the most extraordinary, but the most satisfactory and effective of all Carlyle’s work; although for the reasons stated, it can never have the largest measure of his literary charm or possess the full afflatus of his poetic and mystical genius.