Rome, Ancient, Glory of, ii, 152, and iii, 57 and 71;
    first Pictures brought to Rome, i, 88;
    Electioneering pictures at Rome, i, 91;
    Dramatic Scenery at Rome, i, 93;
    Ancient Map of Rome, ii, 160;
    100,000 Statues at Rome, ii, 152.

  Rome, Modem—­its Churches, Palaces, Villas, and Treasures of
    Art, iii, 60.

  Rosa, Salvator, ii, 91;
    Cav.  Lanfranco’s Generosity, ii, 91;
    Rosa at Rome and Florence, ii, 92;
    his Return to Rome, ii, 93;
    brightest Era of Landscape Painting, ii, 93;
    his Subjects, ii, 93;
    his wonderful Facility of Execution, ii, 94;
    his Flagellation by the Monks, ii, 95;
    Rosa and the higgling Prince, ii, 96;
    his Opinion of his own Works, ii, 98;
    his Banditti, ii, 98;
    Rosa and Massaniello, ii, 100;
    and Cardinal Sforza, ii, 100;
    his Manifesto, ii, 101;
    his Banishment from Rome, ii, 102;
    his Secret Visit to Rome, ii, 102;
    his Wit, ii, 103;
    his Reception at Florence, ii, 103;
    his Histrionic Powers, ii, 104;
    his Reception at the Pitti Palace, ii, 105;
    his Satires, ii, 92 and 105;
    his Harpsichord, ii, 106;
    Rare Portrait, ii, 106;
    his Return to Rome, ii, 109;
    his Love of Show and Magnificence, ii, 109;
    his Last Works, ii, 111;
    his over-weening Desire to be considered a Historical Painter, ii, 112;
    Ghigi, his Physician and Rosa, ii, 113;
    Lady Morgan’s Account of his Death-Bed, ii, 115;
    Rosa and Poussin iii, 166;
    Rosa and Fracanzani, iii, 256.

  Rosada Tivoli, iii, 185;
    his Works, iii, 186;
    his wonderful Rapidity of Hand, iii, 186;
    a Wager won, iii, 187;
    his Habits and Improvidence, iii, 187.

  Rosa, Giovanni—­a modern Zeuxis, ii, 139.

  Rosalba, Carriera, iii, 133;
    her Modesty, and Knowledge of Tempers, iii, 133.

  Rubens, Peter Paul, i, 79;
    his Visit to Italy, i, 80;
    his Reception by the Duke of Mantua, i, 80;
    his Enthusiasm, i, 80;
    his Embassy to Spain, i, 81;
    his Return to Antwerp, i, 81;
    his Marriage, House, and rich collection of Works of Art, i, 81;
    his Habits, Extraordinary Memory and Acquirements, i, 82;
    his Detractors, i, 82;
    his Magnanimity, i, 83;
    the Gallery of the Luxembourg, i, 83;
    Rubens sent Ambassador to the Courts of Spain and England, i, 83;
    his Reception and Works at Madrid, i, 84;
    his Reception and Works in England, i, 84;
    his Delicacy, Address, and the Honors conferred on him on the
    occasion, i, 85;
    his Death, i, 85;
    his Numerous Works, i, 86;
    his Method of Working, i, 206.

  Ruysch, Rachel—­her Life and Works, iii, 135.

  Scagliola or Mischia, Works in, ii, 147.