his Model for his Female Saints, i, 76;
    his Oil Paintings, i, 77;
    his Portraits of Julius II., i, 78;
    his different Manners, i, 78;
    his Skill in Portraits, ii, 138;
    Skull of Raffaelle in the Academy of St Luke, ii, 183.

  Ranc, Jean—­his Retort, iii, 201.

  Rebuke, a Painter’s just, iii, 200.

  Retort Courteous, a Painter’s, iii, 201.

  Rembrandt—­Sketch of his Life, iii, 170;
    his Studio and Models, iii, 171;
    his great Success, iii, 172;
    his Deceits to sell and increase the Price of his Works, iii, 173;
    his numerous Works, iii, 173;
    his extraordinary Merits as an Engraver, iii, 174.

  Reynolds, Sir Joshua, i, 188;
    his pleasing Manners, Fortune, and Collection of Works of Art, i, 189;
    his new Style and its Success, i, 189;
    his Prices, i, 191;
    his Method with his Sitters, i, 192;
    his Removal to Leicester Square, i, 192;
    his showy Coach, i, 193;
    his Table and Guests, i, 194;
    the Founding of the Royal Academy, and his election as
    President, i, 194;
    Reynolds and Dr. Johnson, i, 195;
    Johnson’s Friendship for Reynolds, and his Apology for Portrait
    Painting, i, 196 and 197;
    the Literary Club, i, 198;
    Johnson’s Portrait, i, 198;
    Johnson’s Death, i, 199;
    Reynolds and Dr. Goldsmith, i, 199;
    the “Deserted Village,” i, 200;
    “Retaliation,” i, 200;
    Pope’s Fan i, 201;
    Reynolds’ first Attempts in Art, i, 202;
    Force of Habit, i, 202;
    Paying the Piper, i, 203;
    his Modesty and his Generosity, i, 203;
    his Love of Art, i, 204;
    his Critique on Rubens, i, 205;
    Reynolds and Haydn, i, 206;
    his Skill in Compliment, i, 207;
    his Excellent Advice, i, 208;
    Reynolds as Mayor of Plympton and his two Portraits, i, 208;
    his Kindness of Heart, i, 209;
    Burke’s Eulogy, i, 209;
    his Experiments and Use of Old Paintings, i, 210;
    his Method of Working, i, 193;
    Rubens’ Last Supper, i, 206.

  Rhodes, Statues and Paintings at, ii, 164.

  Ribalta Francisco—­his Love Romance and his Success, i, 235.

  Ribera, Giuseppe, (Spagnoletto,) his Early Enthusiasm, Poverty, and
    Industry at Rome, ii, 133;
    his Return to Naples and Marriage, ii, 134;
    his Rise to Eminence, ii, 135;
    his Discovery of the Philosopher’s Stone, ii, 135;
    his Favorite Subjects, ii. 136;
    his Disposition, ii, 137;
    his Intrigues, ii, 138;
    Lanzi’s Account of his Death, ii, 132.

  Riley, John, i, 307;
    his Diffidence and Merits, i, 308.

  Rizi, Francisco—­his Rebuke to Antonilez, iii, 200.

  Romans, Fondness of, for Works of Art, i, 88;
    for Etruscan Sculpture, i, 90.