obliged during the work to have the protection of
the military. In a very extensive culture of turnip
and corn crops; in drainage on a large scale; in the
building of capacious farm-offices; in planting the
land not of an arable quality; and latterly, in the
thinning of these plantations—all under
the direction of a Scotch steward—almost
unlimited employment was given; in addition to which,
the establishment of a dispensary, the constant residence
of a valuable clergyman, a station for police, and
the intercourse carried on by the daily running of
two public vehicles, have combined to render the inhabitants
of Ballyvourney as industrious and civilised as those
in any part of the British islands. They have
become a quiet and peaceable race; a riot is never
heard of among them; and the Stone of Victory has
long been covered with lichen, moss, and grass.
The people annually assemble at the Holy Well, and
go their rounds at the station; and the little image
of St Gobnet, in the walls of an old church, is still
looked on with adoration, and handkerchiefs thrown
up to touch it, that they may bring healing virtue
to the sick. The rector’s residence is closely
adjacent to the Holy Well, the station, and the image
of St Gobnet, and the stone of victory within a few
feet of his hall door. Yet he can go to bed at
night without a lock to a door, or a bar to a window.
Women and girls may be found in abundance who can
thin and hoe turnips in the best manner. As good
ploughmen and agriculturists in the various departments
may now be had in Ballyvourney as in most places.
All faction-fights are at an end; and although, little
more than twenty years ago, these were the weekly
Sabbath occupation, they are now like an item of an
old almanac. By employing similar means, might
not other parts of this naturally fine country be
equally improved, and made the abode of a thriving
and contented people?
THE DAUGHTER OF THE BARDI.
A TRUE OLD TALE.
The Via dei Bardi is one of the most ancient streets
of Florence. Long, dark, and narrow, it reaches
from the extremity of the Ponte Rubaconte to the right
of the Ponte Vecchio. Its old houses look decayed
and squalid now; but in former days they were magnificent
and orderly, full of all the state of those times,
being the residences of many of the Florentine nobility.
How many struggles of faction, how many scenes of
civil war, have these old houses witnessed! for in
the period of their splendour, Florence was torn by
intestine feuds; from generation to generation, Guelfs
and Ghibelines, Bianchi and Neri, handed down their
bitter quarrels, private and personal animosity mingling
with public or party spirit, and ending in many a dark
and violent deed. These combatants are all sleeping
now: the patriot, the banished citizen, the timid,
the cruel—all, all are gone, and have left
us only tales to read, or lessons to learn, if we can
but use them. But we are not skilled to teach
a lesson; we would rather tell a legend of those times,
recalled to mind, especially at present, because it
has been chosen as the subject of a fine picture recently
finished by a Florentine artist, Benedetto Servolino.