It is these two factors, therefore, an erroneous standard and a lethargic peace, which principally caused the weakness of the British official staff for battle service at the period of lowest descent, which was reached in the first quarter of the eighteenth century, but was prolonged and intensified by a protracted interval of professional apathy.  Other grievous evils doubtless existed, serious defects in administration, involving indifferent equipment, bad and scanty provisions, inferior physique in the ships’ companies, and wretched sanitary arrangements; but while all these unquestionably gravely affected general efficiency for war, they belonged rather to the civil than the military side of the profession.  In the hour of battle it was not these, but the tone and efficiency of the officers, that chiefly told.  A false pattern of action had been accepted at a moment favorable to its perpetuation, when naval warfare on the grand scale had ceased, owing to the decline of the principal enemy, the navy of France; while the average competency of naval officers had been much lowered through want of professional incentive, and the absence of any sifting process by which the unfit could be surely eliminated.  That plenty of good material existed, was sufficiently shown by the number of names, afterwards distinguished, which soon began to appear.  Weeding went on apace; but before its work was done, there had to be traversed a painful period, fruitful of evidences of unfitness, of personal weakness, of low or false professional ideas.

It is with this period that we have first had to do as our point of departure, by which not only to estimate the nature and degree of the subsequent advance, but to illustrate also the part specifically contributed to it by Hawke and Rodney, through their personal and professional characteristics.  While types, they are more than mere exponents of the change as a whole, and will be found to bear to it particular relations,—­its leaders in fact, as well as in name.  It is not merely fanciful to say that Hawke stands for and embodies the spirit of the new age, while Rodney rather exemplifies and develops the form in which that spirit needed ultimately to cloth itself in order to perfect its working.  The one is a protest in act against the professional faintheartedness, exaggerated into the semblance of personal timidity, shown by the captains off Toulon in 1774; the other, in the simple but skilful methods and combinations adopted by him, both represents and gives effect to a reaction against the extravagant pedantry, which it fell to Byng, in all the honesty of a thoroughly commonplace man, to exhibit in unintentional caricature.