The Delight Makers eBook

This eBook from the Gutenberg Project consists of approximately 557 pages of information about The Delight Makers.

The Delight Makers eBook

This eBook from the Gutenberg Project consists of approximately 557 pages of information about The Delight Makers.

This long, long pageant winds on, meandering through the pueblo to the sound of drums, of flutes, and of monotonous chants; the white satyrs go ahead, then follow the blue ones, then come in single file the men, vigorously stamping, and behind each a woman, tripping lightly.

Every man is loaded with fruit of some kind, and carries corn and squashes also in each hand.  Every woman or girl bears on her head a basket of willows or yucca filled with corn-cakes, yucca preserve, and other delicacies, products of the vegetable kingdom.  It is a procession of baskets filing through Hishi, solemn and sober, and in the main extremely monotonous.  At intervals the Koshare break ranks to cut a few capers, but to-day the Delight Makers of the Tehuas are remarkably decent, for they are those, par excellence, who say grace.  Since their labours have been rewarded, and the crops are now ripe, and the people have sufficient food, they are merry in the prospects of an easy winter, and there is no need of any artificial delight-making.

The procession has passed through the entire village and returned to one of its main squares.  The end of the pageant is still on the march when the Koshare break ranks again and cluster in the centre of the square.  From every side bystanders come up with fruits, scattering them over the ground where the Delight Makers are waiting; and when the soil is well covered with squash, corn, and other vegetables, the white satyrs begin to dance with the most serious faces, singing and lifting their hands to the skies.  Gradually the whole of the offering is crushed, and at last pounded into the earth by the feet of the dancing clowns.  The earth has brought forth the necessaries of life to man; now man, in token of gratitude, returns a tribute to the earth.

As soon as this part of the ceremony is over, there arises a great shout from all sides.  Ears of corn, gourds, cakes of corn meal, pieces of dried preserve, ripe fruits of the yucca, are thrown up into the air; the baskets are emptied, and bystanders run home to replenish them.  Whoever can catch anything proceeds to devour it at once.  The whole tribe displays its gratitude by throwing heavenward the food which heaven has enabled it to raise.  Man intercepts and enjoys it after the will and the deed have satisfied the invisible powers on high.

The usual mass of spectators are gathered on the roofs and along the walls of the houses.  When the noisy distribution of offerings begins, many run to get their share.  But it is not those who are most eager that are most considered; it seems that the bulk of the food thrown into the air is showering down upon a row of houses on whose terraces stands a group of men, women, and children who seem no part of the inhabitants of Hishi, manifesting this not so much in dress as from their distant and timid deportment.  All of them are very poorly clad, the children mostly naked; and yet here and there a girl among them wears

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Project Gutenberg
The Delight Makers from Project Gutenberg. Public domain.