Tales from the Hindu Dramatists eBook

This eBook from the Gutenberg Project consists of approximately 131 pages of information about Tales from the Hindu Dramatists.

Tales from the Hindu Dramatists eBook

This eBook from the Gutenberg Project consists of approximately 131 pages of information about Tales from the Hindu Dramatists.

Madhava is mad with grief and in despair makes the extraordinary resolution of purchasing the aid of ghosts and malignant spirits by going to the cemetery and offering them living flesh, cut off from his own body, as food.  He accordingly bathes in the river Sindhu and goes at night to the cemetery.  The cemetery happens to be near the temple of the awful goddess Chamunda, a form of Durga.  The temple is presided over by a sorceress named Kapalkundla and her preceptor, a terrible necromancer Aghorghanta.  They have determined on offering some beautiful maiden as a human victim to the goddess.  With this object they carry off Malati, before her departure, while asleep on a terrace and bringing her to the temple, are about to kill her at the shrine when her cries of distress attract the attention of Madhava, who is, at the moment, in the cemetery offering his flesh to the ghosts.

He thinks he recognizes the voice of Malati.  He rushes forward to her rescue.  She is discovered dressed as a victim and the magician and the sorceress are preparing for the sacrifice.

He encounters Aghorghanta and, after a terrific hand-to-hand fight, kills him and rescues Malati.

She flies to his arms.  Voices are heard as of persons in search of Malati.  Madhava places her in safety.

The sorceress vows vengeance against Madhava for slaying her preceptor Aghorghanta.

Malati is now restored to her friends.  The preparations for Malati’s wedding with Nandana goes on.  The old priestess Kamandaki, who favours the union of Malati with her lover Madhava, contrives that, by the king’s command, the bridal dress shall be put on at the very temple where her own ministrations are conducted.

There she persuades Makaranda to substitute himself for the bride.  He puts on the bridal dress, is carried in procession to the house of Nandan and goes through the form of being married to him.  Nandana, being disgusted with the masculine appearance of the pretended bride, and offended by the rude reception given to him, vows to have no further communication with her and consigns her to his sister’s care in the inner apartments.  This enabled Makaranda to effect an interview with Nandana’s sister Madayantika, the object of his own affections.

Makaranda then discovers himself to his mistress and persuades her to run away with him to the place where Malati and Madhava have concealed themselves.

Their flight is discovered.  The king’s guards are sent in pursuit.  A great fight follows; but Makaranda, assisted by Madhava, defeats his opponents.  The bravery and handsome appearance of the two youths avert the king’s anger and they are allowed to join their friends unpunished.

The friends accordingly assemble at the gate of the temple.

But the sorceress, who has been watching an opportunity when Malati is unprotected, takes advantage of the confusion and carries her off in a flying car, in revenge for the death of her preceptor.  The distress of her lover and friends knows no bounds.  They are reduced to despair at this second obstacle to the marriage.  They give up all hopes of recovering her when they are happily relieved by the opportune arrival of Soudamini, an old pupil of the priestess Kamandaki, who has acquired extraordinary magical powers by her penances.

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Tales from the Hindu Dramatists from Project Gutenberg. Public domain.