It is evident from the whole tenor of this correspondence, that the truthfulness and probity of the firm of publishers with whom she had to deal in this her first literary venture, were strongly impressed upon her mind, and was followed by the inevitable consequence of reliance on their suggestions.  And the progress of the poems was not unreasonably lengthy or long drawn out.  On April 20th she writes to desire that three copies may be sent to her, and that Messrs. Aylott will advise her as to the reviewers to whom copies ought to be sent.

I give the next letter as illustrating the ideas of these girls as to what periodical reviews or notices led public opinion.

“The poems to be neatly done up in cloth.  Have the goodness to send copies and advertisements, as early as possible, to each of the undermentioned periodicals.

“‘Colburn’s New Monthly Magazine.’

“‘Bentley’s Magazine.’

“‘Hood’s Magazine.’

“‘Jerrold’s Shilling Magazine.’

“‘Blackwood’s Magazine.’

“‘The Edinburgh Review.’

“‘Tait’s Edinburgh Magazine.’

“‘The Dublin University Magazine.’

“Also to the ‘Daily News’ and to the ‘Britannia’ papers.

“If there are any other periodicals to which you have been in the habit of sending copies of works, let them be supplied also with copies.  I think those I have mentioned will suffice for advertising.”

In compliance with this latter request, Messrs. Aylott suggest that copies and advertisements of the work should be sent to the “Athenaeum,” “Literary Gazette,” “Critic,” and “Times;” but in her reply Miss Bronte says, that she thinks the periodicals she first mentioned will be sufficient for advertising in at present, as the authors do not wish to lay out a larger sum than two pounds in advertising, esteeming the success of a work dependent more on the notice it receives from periodicals than on the quantity of advertisements.  In case of any notice of the poems appearing, whether favourable or otherwise, Messrs. Aylott and Co. are requested to send her the name and number of those periodicals in which such notices appear; as otherwise, since she has not the opportunity of seeing periodicals regularly, she may miss reading the critique.  “Should the poems be remarked upon favourably, it is my intention to appropriate a further sum for advertisements.  If, on the other hand, they should pass unnoticed or be condemned, I consider it would be quite useless to advertise, as there is nothing, either in the title of the work, or the names of the authors, to attract attention from a single individual.”

I suppose the little volume of poems was published some time about the end of May, 1846.  It stole into life; some weeks passed over, without the mighty murmuring public discovering that three more voices were uttering their speech.  And, meanwhile, the course of existence moved drearily along from day to day with the anxious sisters, who must have forgotten their sense of authorship in the vital care gnawing at their hearts.  On June 17th, Charlotte writes:—­