Farewell to the arts,—­to eloquence, which is to the human mind as the winds to the sea, stirring, and then allaying it;—­farewell to poetry and deep philosophy, for man’s imagination is cold, and his enquiring mind can no longer expatiate on the wonders of life, for “there is no work, nor device, nor knowledge, nor wisdom in the grave, whither thou goest!”—­to the graceful building, which in its perfect proportion transcended the rude forms of nature, the fretted gothic and massy saracenic pile, to the stupendous arch and glorious dome, the fluted column with its capital, Corinthian, Ionic, or Doric, the peristyle and fair entablature, whose harmony of form is to the eye as musical concord to the ear!—­farewell to sculpture, where the pure marble mocks human flesh, and in the plastic expression of the culled excellencies of the human shape, shines forth the god!—­farewell to painting, the high wrought sentiment and deep knowledge of the artists’s mind in pictured canvas—­to paradisaical scenes, where trees are ever vernal, and the ambrosial air rests in perpetual glow:—­to the stamped form of tempest, and wildest uproar of universal nature encaged in the narrow frame, O farewell!  Farewell to music, and the sound of song; to the marriage of instruments, where the concord of soft and harsh unites in sweet harmony, and gives wings to the panting listeners, whereby to climb heaven, and learn the hidden pleasures of the eternals!—­Farewell to the well-trod stage; a truer tragedy is enacted on the world’s ample scene, that puts to shame mimic grief:  to high-bred comedy, and the low buffoon, farewell!—­Man may laugh no more.  Alas! to enumerate the adornments of humanity, shews, by what we have lost, how supremely great man was.  It is all over now.  He is solitary; like our first parents expelled from Paradise, he looks back towards the scene he has quitted.  The high walls of the tomb, and the flaming sword of plague, lie between it and him.  Like to our first parents, the whole earth is before him, a wide desart.  Unsupported and weak, let him wander through fields where the unreaped corn stands in barren plenty, through copses planted by his fathers, through towns built for his use.  Posterity is no more; fame, and ambition, and love, are words void of meaning; even as the cattle that grazes in the field, do thou, O deserted one, lie down at evening-tide, unknowing of the past, careless of the future, for from such fond ignorance alone canst thou hope for ease!

Joy paints with its own colours every act and thought.  The happy do not feel poverty—­for delight is as a gold-tissued robe, and crowns them with priceless gems.  Enjoyment plays the cook to their homely fare, and mingles intoxication with their simple drink.  Joy strews the hard couch with roses, and makes labour ease.