I should like—on my soul, I
should like—to remember—but somehow
I
can’t—
If the lady whose love has reduced me to this was
the niece or the aunt. But whichever it was,
I feel sure, when I published my lays of last year
(You remember their title—The Tramp—only
seven-and-sixpence—not dear), I sent her
a copy (perhaps her tears fell on the title-page—yes—
I should like to imagine she wept)—and the
Bride of Bulgaria (MS.) I forwarded with it.
The lyrics, no doubt, she found bitter—and
sweet; But the Bride she rejected, you know, with
expressions I will not repeat. Well—she
did no more than all publishers did. Though my
prospects were
marred,
I can pity and pardon them. Blindness, mere blindness!
And yet it was hard. For a poet, Bill, is a blossom—a
bird—a billow—a breeze—
A kind of creature that moves among men as a wind among
trees. And a bard who is also the pet of patricians
and dowagers doubly can Express his contempt for canaille
in his fables where beasts are
republican.
Yet with all my disdainful forgiveness for men so
deficient in ton I cannot but feel it was cruel—I
cannot but think it was wrong. I with the heat
of my heart still burning against all bars As the
fire of the dawn, so to speak, in the blanched blank
brows of
the stars—
I with my tremulous lips made pale by musical breath—
I with the shade in my eyes that was left by the kisses
of Death— (For Death came near me in youth,
and touched my face with his face, And put in my lips
the songs that belong to a desolate place—
Desolate truly, my heart and my lips, till her kiss
filled them up!) I with my soul like wine poured out
with my flesh for the cup— It was hard
for me—it was hard—Bill, Bill,
you great owl, was it not? For the day creeps
in like a Fate: and I think my grand passion is
rot: And I dreamily seem to perceive, by the
light of a life’s dream done, The lotion at
six, and the mixture at ten, and the draught before
one.
Yes—I feel rather better.
Man’s life is a mull, at the best;
And the patent perturbator pills are like bullets
of lead in my chest. When a man’s whole
spirit is like the lost Pleiad, a blown-out star,
Is there comfort in Holloway, Bill? is there hope of
salvation in Parr? True, most things work to
their end—and an end that the shroud overlaps.
Under lace, under silk, under gold, sir, the skirt
of a winding-sheet
flaps—
Which explains, if you think of it, Bill, why I can’t,
though my soul
thereon broodeth,
Quite make out if I loved Lady Tamar as much as I
loved Lady Judith. Yet her dress was of violet
velvet, her hair was hyacinth-hued, And her ankles—no
matter. A face where the music of every mood
Was touched by the tremulous fingers of passionate
feeling, and made Strange melodies, scornful, but
sweeter than strings whereon sorrow has
played
To enrapture the hearing of mirth when his garland
of blossom and green Turns to lead on the anguished