You know what I mean, Bill—the tender and
delicate mother of lies,
Woman, the devil’s first cousin—no doubt by the female side.
The breath of her mouth still moves in my hair, and I know that she lied,
And I feel her, Bill, sir, inside me—she operates there like a drug.
Were it better to live like a beetle, to wear the cast clothes of a slug,
Be the louse in the locks of the hangman, the mote in the eye of the bat,
Than to live and believe in a woman, who must one day grow aged and fat?
You must see it’s preposterous, Bill, sir. And yet, how the thought of
it clings!
I have lived out my time—I have prigged lots of verse—I have kissed
(ah, that stings!)
Lips that swore I had cribbed every line that I wrote on them—cribbed—
honour bright!
Then I loathed her; but now I forgive her; perhaps after all she was right.
Yet I swear it was shameful—unwomanly, Bill, sir—to say that I fibbed.
Why, the poems were mine, for I bought them in print. Cribbed? of course
they were cribbed.
Yet I wouldn’t say, cribbed from the French—Lady Bathsheba thought it
was vulgar—
But picked up on the banks of the Don, from the lips of a highly
intelligent Bulgar.
I’m aware, Bill, that’s out of all metre—I can’t help it—I’m none of
your sort
Who set metres, by Jove, above morals—not exactly. They don’t go to
Court—
As I mentioned one night to that cowslip-faced pet, Lady Rahab Redrabbit
(Whom the Marquis calls Drabby for short). Well, I say, if you want a
thing, grab it—
That’s what I did, at least, when I took that danseuse to a swell
cabaret,
Where expense was no consideration. A poet, you see, now and then must
be gay.
(I declined to give more, I remember, than fifty centeems to the waiter;
For I asked him if that was enough; and the jackanapes answered—
Peut-etre.
Ah, it isn’t in you to draw up a menu such as ours was, though humble:
When I told Lady Shoreditch, she thought it a regular grand tout
ensemble.)
She danced the heart out of my body—I can see in the glare of the lights,
I can see her again as I saw her that evening, in spangles and tights.
When I spoke to her first, her eye flashed so, I heard—as I
fancied—the spark whiz
From her eyelid—I said so next day to that jealous old fool of a Marquis.
She reminded me, Bill, of a lovely volcano, whose entrails are lava—
Or (you know my penchant for original types) of the upas in Java.
In the curve of her sensitive nose was a singular species of dimple,
Where the flush was the mark of an angel’s creased kiss—if it wasn’t
a pimple.
Now I’m none of your bashful John Bulls who don’t know a pilau from a
puggaree
Nor a chili, by George, from a chopstick. So, sir, I marched into her
Woman, the devil’s first cousin—no doubt by the female side.
The breath of her mouth still moves in my hair, and I know that she lied,
And I feel her, Bill, sir, inside me—she operates there like a drug.
Were it better to live like a beetle, to wear the cast clothes of a slug,
Be the louse in the locks of the hangman, the mote in the eye of the bat,
Than to live and believe in a woman, who must one day grow aged and fat?
You must see it’s preposterous, Bill, sir. And yet, how the thought of
it clings!
I have lived out my time—I have prigged lots of verse—I have kissed
(ah, that stings!)
Lips that swore I had cribbed every line that I wrote on them—cribbed—
honour bright!
Then I loathed her; but now I forgive her; perhaps after all she was right.
Yet I swear it was shameful—unwomanly, Bill, sir—to say that I fibbed.
Why, the poems were mine, for I bought them in print. Cribbed? of course
they were cribbed.
Yet I wouldn’t say, cribbed from the French—Lady Bathsheba thought it
was vulgar—
But picked up on the banks of the Don, from the lips of a highly
intelligent Bulgar.
I’m aware, Bill, that’s out of all metre—I can’t help it—I’m none of
your sort
Who set metres, by Jove, above morals—not exactly. They don’t go to
Court—
As I mentioned one night to that cowslip-faced pet, Lady Rahab Redrabbit
(Whom the Marquis calls Drabby for short). Well, I say, if you want a
thing, grab it—
That’s what I did, at least, when I took that danseuse to a swell
cabaret,
Where expense was no consideration. A poet, you see, now and then must
be gay.
(I declined to give more, I remember, than fifty centeems to the waiter;
For I asked him if that was enough; and the jackanapes answered—
Peut-etre.
Ah, it isn’t in you to draw up a menu such as ours was, though humble:
When I told Lady Shoreditch, she thought it a regular grand tout
ensemble.)
She danced the heart out of my body—I can see in the glare of the lights,
I can see her again as I saw her that evening, in spangles and tights.
When I spoke to her first, her eye flashed so, I heard—as I
fancied—the spark whiz
From her eyelid—I said so next day to that jealous old fool of a Marquis.
She reminded me, Bill, of a lovely volcano, whose entrails are lava—
Or (you know my penchant for original types) of the upas in Java.
In the curve of her sensitive nose was a singular species of dimple,
Where the flush was the mark of an angel’s creased kiss—if it wasn’t
a pimple.
Now I’m none of your bashful John Bulls who don’t know a pilau from a
puggaree
Nor a chili, by George, from a chopstick. So, sir, I marched into her