Philip had provided a splendid fleet, a splendid army, and the finest sailors in the world except the English. He had failed to realise that the grandest preparations are useless with a fool to command. The poor Duke was less to blame than his master. An office had been thrust upon him for which he knew that he had not a single qualification. His one anxiety was to find Parma, lay the weight on Parma’s shoulders, and so have done with it.
On Friday he was left alone to make his way up Channel towards the French shore. The English still followed, but he counted that in Calais roads he would be in French waters, where they would not dare to meddle with him. They would then, he thought, go home and annoy him no further. As he dropped anchor in the dusk outside Calais on Saturday evening he saw, to his disgust, that the endemoniada gente—the infernal devils—as he called them, had brought up at the same moment with himself, half a league astern of him. His one trust was in the Prince of Parma, and Parma at any rate was now within touch.
LECTURE IX
DEFEAT OF THE ARMADA
In the gallery at Madrid there is a picture, painted by Titian, representing the Genius of Spain coming to the delivery of the afflicted Bride of Christ. Titian was dead, but the temper of the age survived, and in the study of that great picture you will see the spirit in which the Spanish nation had set out for the conquest of England. The scene is the seashore. The Church a naked Andromeda, with dishevelled hair, fastened to the trunk of an ancient disbranched tree. The cross lies at her feet, the cup overturned, the serpents of heresy biting at her from behind with uplifted crests. Coming on before a leading breeze is the sea monster, the Moslem fleet, eager for their prey; while in front is Perseus, the Genius of Spain, banner in hand, with the legions of the faithful laying not raiment before him, but shield and helmet, the apparel of war for the Lady of Nations to clothe herself with strength and smite her foes.