The entire domestic regime was a makeshift—­had been almost from the beginning.  Mrs. Farren, the housekeeper, understood it; Howker, the butler, knew it; Lacy knew it—­he who had served forty years as coachman in the Seagrave family.

For in all the world there remained not one living soul who through ties of kinship was authorised to properly control these children.  Nor could they themselves even remember parental authority; and only a shadowy recollection of their grandfather’s lax discipline survived, becoming gradually, as time passed, nothing more personal to them than a pleasant legend kept alive and nourished in the carefully guarded stories told them by Kathleen Severn and by Anthony Seagrave’s old servants.

Yet, in the land, and in his own city of Manhattan, their grandfather had been a very grand man, with his large fortune, now doubled and still increasing; he had been a very distinguished man in the world of fashion with his cultivated taste in art and wine and letters and horses; he had been a very important man, too, in the civic, social, and political construction of New York town, in the quaint days when the sexton of Old Trinity furnished fashionable hostesses with data concerning the availability of social aspirants.  He had been a courtly and fascinating man, too.  He had died a drunkard.

Now his grandchildren were fast forgetting him.  The town had long since forgotten him.  Only an old friend or two and his old servants remembered what he had been, his virtues, his magnificence, his kindness, and his weakness.

But if the Seagrave twins possessed neither father nor mother to exercise tender temporal and spiritual suzerainty in the nursery, and if no memory of their grandfather’s adoring authority remained, the last will and testament of Anthony Seagrave had provided a marvellous, man-created substitute for the dead:  a vast, shadowy thing which ruled their lives with passionless precision; which ordered their waking hours even to the minutest particulars; which assumed machine-like charge of their persons, their personal expenses, their bringing-up, their schooling, the items of their daily routine.

This colossal automaton, almost terrifyingly impersonal, loomed always above them, throwing its powerful and gigantic shadow across their lives.  As they grew old enough to understand, it became to them the embodiment of occult and unpleasant authority which controlled their coming and going; which chose for them their personal but not their legal guardian, Kathleen Severn; which fixed upon the number of servants necessary for the house that Anthony Seagrave directed should be maintained for his grandchildren; which decided what kind of expenses, what sort of clothing, what recreations, what accomplishments, what studies, what religion they should be provided with.

And the name of this enormous man-contrived machine which took the place of father and mother was the Half Moon Trust Company, acting as trustee, guardian, and executor for two little children, who neither understood why they were sometimes very unruly or that they would one day be very, very rich.