has strong allusions to the Christian church.
Since that period they (Masons) have been known by
the name of Master Architect; and they have employed
themselves in improving the law of that admirable Master.
From hence it appears that the mysteries of the craft
are the mysteries of religion. Those brethren
were careful not to entrust this important secret
to any whose discretion they had not proved. For
this reason they invented different degrees to try
those who entered among them; and only gave them symbolical
secrets, without explanation, to prevent treachery,
and to make themselves known only to each other.
For this purpose it was resolved to use different signs,
words, and tokens, in every degree, by which they
would be secured against cowans and Saracens.
The different degrees were fixed first to the number
of seven by the example of the Grand Architect of
the Universe, who built all things in six days and
rested on the seventh. This is distinguished
by seven points of reception in the Master’s
degrees. Enoch employed six days to construct
the arches, and on the seventh, having deposited the
secret treasure in the lowest arch, was translated
to the abodes of the blessed. Solomon employed
six years in constructing his temple; and celebrated
its dedication on the seventh, with all the solemnity
worthy of the divinity himself. This sacred edifice
we choose to make the basis of figurative Masonry.
In the first degree are three symbols to be applied.
First, the first of the creation, which was only chaos,
is figured by the candidate’s coming out of
the black chamber, neither naked nor clothed, deprived,
etc.; and his suffering the painful trial at
his reception, etc. The candidate sees nothing
before he is brought to light; and his powers of imagination
relative to what he has to go through are suspended,
which alludes to the figure of the creation of that
vast luminous body confused among the other parts
of creation before it was extracted from darkness
and fixed by the Almighty fiat. Secondly, the
candidate approaches the footstool of the Master,
and there renounces all cowans; he promises to subdue
his passions, by which means he is united to virtue,
and by his regularity of life, demonstrates what he
proposes. This is figured to him by the steps
that he takes in approaching the altar; the symbolic
meaning of which is the separation of the firmament
from the earth and water on the second day of creation.
(The charge proceeds by giving a figurative interpretation
of the ceremonies, etc., of the first and second
part of the third degree, which I pass over as uninteresting
to my readers, and commence with an interpretation
which will be as novel to the Craft of the lower grades
as to the cowans, or non-initiated.)