High leaped the perch.
The hawk screamed joy.
Under Joost’s
belly musically
The ripples broke. Bright
clouds convoy
The brute that man would but
destroy,
And all instinctive
agents rally
Strong and medicinally.
In vain! The gurgling
waters suck
That old life
under. Herman swimming
Seized but the horse tail.
Like a buck
Breasting a lake in wild woods’
pluck,
Joost rose, the
glaze his bright eyes dimming,
And blood his
sockets brimming.
Then voices speak and women
cry.
The treading feet
find soil to stand.
Above them the green ramparts
lie,
And twixt their shadows and
the sky,
The wondering
burghers crowd the strand,
And Herman help
to land:
“Now to Newcastle’s
English walls,
Hail, Herman!
and thy matchless stud!”
Joost staggers up the bank
and falls,
And dying to his master crawls.
Yields up his
long solicitude,
And spills his
veins of blood.
In Herman’s arms his
neck is prest,
With martial pride
his dark eye glazes;
He feels the hand he loves
the best
Stroke fondly, and a chill
of rest,
As if he rolled
in pasture daisies
And heard in winds
his praises:
“O couldst thou speak,
what wouldst thou say?
I who can speak
am dumb before thee.
Thine eyes that drink Olympian
day
Where steeds of wings thy
soul convey,
With pride of
eagles circling o’er thee:
Thou seest I adore
thee!
“Bound to thy starry
home and her
Who brought me
thee and left earth hollow!
An honored grave thy bones
inter,
And painting shall thy fame
confer,
Ere in thy shining
track I follow,
Thou courser of
Apollo!”
NOTE TO HERMAN OF BOHEMIA MANOR.[1]
The singular incident of this poem was published in 1862, in Rev. John Lednum’s “Personal Rise of Methodism,” and in the following words:
“It is said that the Dutch had him (Herman) a prisoner of war, at one time, under sentence of death, in New York. A short time before he was to be executed, he feigned himself to be deranged in mind, and requested that his horse should be brought to him in the prison. The horse was brought, finely caparisoned. Herman mounted him, and seemed to be performing military exercises, when, on the first opportunity, he bolted through one of the large windows, that was some fifteen feet above ground, leaped down, swam the North River, ran his horse through Jersey, and alighted on the bank of the Delaware, opposite Newcastle, and thus made his escape from death and the Dutch. This daring feat, tradition says, he had transferred to canvas—himself represented as standing by the side of his charger, from whose nostrils the blood was flowing.”—Page 277.