seemed to have made it his business to verify the Neapolitan as represented by Gerolamo on the stage of his puppet show.  His eyes looked like glass beads.  His nose, like the ace of clubs, was horribly long and bulbous; in fact, it did its best to conceal an opening which it would be an insult to the human countenance to call a mouth; within, three or four tusks were visible, endowed, as it seemed, with a proper motion and fitting into each other.  His fleshy ears drooped by their own weight, giving the creature a whimsical resemblance to a dog.

His complexion, tainted, no doubt, by various metallic infusions as prescribed by some Hippocrates, verged on black.  A pointed skull, scarcely covered by a few straight hairs like spun glass, crowned this forbidding face with red spots.  Finally, though the man was very thin and of medium height, he had long arms and broad shoulders.

In spite of these hideous details, and though he looked fully seventy, he did not lack a certain cyclopean dignity; he had aristocratic manners and the confident demeanor of a rich man.

Any one who could have found courage enough to study him, would have seen his history written by base passions on this noble clay degraded to mud.  Here was the man of high birth, who, rich from his earliest youth, had given up his body to debauchery for the sake of extravagant enjoyment.  And debauchery had destroyed the human being and made another after its own image.  Thousands of bottles of wine had disappeared under the purple archway of that preposterous nose, and left their dregs on his lips.  Long and slow digestion had destroyed his teeth.  His eyes had grown dim under the lamps of the gaming table.  The blood tainted with impurities had vitiated the nervous system.  The expenditure of force in the task of digestion had undermined his intellect.  Finally, amours had thinned his hair.  Each vice, like a greedy heir, had stamped possession on some part of the living body.

Those who watch nature detect her in jests of the shrewdest irony.  For instance, she places toads in the neighborhood of flowers, as she had placed this man by the side of this rose of love.

“Will you play the violin this evening, my dear Duke?” asked the woman, as she unhooked a cord to let a handsome curtain fall over the door.

“Play the violin!” thought Prince Emilio.  “What can have happened to my palazzo?  Am I awake?  Here I am, in that woman’s bed, and she certainly thinks herself at home—­she has taken off her cloak!  Have I, like Vendramin, inhaled opium, and am I in the midst of one of those dreams in which he sees Venice as it was three centuries ago?”

The unknown fair one, seated in front of a dressing-table blazing with wax lights, was unfastening her frippery with the utmost calmness.

“Ring for Giulia,” said she; “I want to get my dress off.”

At that instant, the Duke noticed that the supper had been disturbed; he looked round the room, and discovered the Prince’s trousers hanging over a chair at the foot of the bed.