Ucello, Paolo:  painter, 69, 195

Uffizzi gallery:  drawings, 60

Urbano da Cortona, 191

Uzzano, Niccolo da:  bust, 121

Valadier:  sculptor, 97

Valente:  Donatello’s assistant, 168, 203

Vandalism, 8
  in Rome, 88

Vasari:  passim

Vecchietta:  sculptor, 191

Venice:  horses of St. Mark’s, 173
  statue of St. John, 146
  Sportello, 177

Verdiana, St.:  reliquary, 200

Verona: 
  Madonna, 182;
  sculpture on cathedral, 124;
  sculpture on San Zeno, 124

Verrocchio, 73, 99, 101, 105, 174

Vienna:  entombment, 177

Vinci:  Leonardo da, 22, 29, 66

Visconti, Marquise A.:  Collection, 132, 185

Wallace Collection:  reliefs, 110

Warfare:  Donatello and, 65

Weisbach:  Madonna, 184

Wemyss, Earl of, collection: 
  Madonna, 81;
  St. Cecilia, 172;
  Walpole eagle, 162

Wood:  employment in sculpture, 148

Zeno, San:  Verona, 124

Zuccone:  statue, 26, 96

Printed by BALLANTYNE, HANSON & CO.  London & Edinburgh

* * * * *

Uniform with this Volume

MICHAEL ANGELO BUONARROTI

BY

CHARLES HOLROYD

CURATOR OF THE NATIONAL GALLERY OF BRITISH ART

With Fifty-two Illustrations

“Mr. Holroyd has done excellent service.  This story of a marvellous career is full of human charm....  Valuable book.”—­Standard.

“A serviceable and competent biography which many will be glad to see....  Numerous and excellent illustrations.”—­Literary World.

“A book that both the student and the general reader will find full of interest.  Extremely interesting and vividly recorded.”—­Westminster Gazette.

“Mr. Holroyd’s comprehensive study will be found useful and interesting.  The illustrations are numerous and good.”—­Manchester Guardian.

“A really admirable picture of one who is perhaps the greatest personality in the history of Art; and a sympathetic, yet critical account of his works.  Mr. Holroyd writes with knowledge and enthusiasm....  Numerous and well-executed illustrations.”—­Yorkshire Post.

“This excellent work ... is as suited to the general reader as to the artist.  We do not find those deserts of literary speculation so common to the lives of artists.”—­Spectator.

“The volume gives in a convenient form almost everything that the student for whom it is intended will need to know about Michael Angelo, and will prove a safe guide to his works.  The illustrations are well chosen....  We are especially grateful for the engravings of those frescoes in the Pauline Chapel which every one writes about and no one publishes.”—­New York Evening Post.