Medoline Selwyn's Work eBook

This eBook from the Gutenberg Project consists of approximately 317 pages of information about Medoline Selwyn's Work.

Medoline Selwyn's Work eBook

This eBook from the Gutenberg Project consists of approximately 317 pages of information about Medoline Selwyn's Work.

I slipped into my own room to lay aside my wraps, still smiling over Mrs. Flaxman’s childish ideas respecting Mr. Bovyer in the role of a lover, and also a little troubled about the wording of the report I was expected to give.  His smile would be more sarcastic than ever, if I confessed my tears; and, alas, I had but little other impression to convey of the majestic harmonies than one of profound sadness.  I glanced into my mirror; the picture reflected back startled me.  In the handsome gown, with the same gems that had once enhanced my mother’s charms, the transformation wrought was considerable; but my eyes were shining with a deep, unusual brilliancy, and a new expression caused by the influences of the evening had changed my face almost beyond my own recognition.  I went down to the parlor where I found Mr. Winthrop absorbed in his book.  I stood near waiting for him to look, but he remained unconscious of my presence.  I went to the fireside.  On the mantle I noticed, for the first time, a bust of the great master whose music had just been echoing so mournfully in my ears.  I took it in my hand and went nearer the light, soon as absorbed in studying the indrawn melancholy face as was my guardian over his book.  When I looked at him his book was closed, and his eyes regarding me attentively.

“Do you recognize the face?”

“Oh, yes.  I wonder he looks like other men.”

“Why should he look differently?”

“Because he was different.  I wonder what his thoughts were when he was writing that symphony?” I held the bust off reflectively.

“Did you enjoy your evening’s entertainment?”

“Yes and no,—­I wish you had been there, Mr. Winthrop.  Please don’t ask me to describe it.”

“I will get a description of how you received it then from Bovyer—­he could tell me better than you.  He reads faces so well, I sometimes have a fear he sees too far beneath our mask.”

“I don’t want to see him any more then,” I said impetuously.

“Why not?”

“I do not want my soul to be scrutinized by strange eyes, any more than you do, Mr. Winthrop.”

“How do you know that I object?”

“Did you not say just now you had a fear he saw too deeply into us?”

“Possibly.  I was speaking in a general way—­meant humanity at large, rather than my own individual self.”

“Would you care if I could see all the thoughts and secrets of your soul just at this moment, Mr. Winthrop?” I said, taking a step nearer, and looking intently into his eyes, which returned my look with one equally penetrating.

“No, Medoline.  You, least of any one I know,” he said, quietly.  I looked at him with surprise—­perhaps a trifle grieved.

“Does that offend you?” he asked after a pause.

“It wounds me; for I am your friend.”

“I am glad of that, little one.”

“Glad that you have given me pain?” I asked, with an odd feeling as if I wanted to burst into a fit of childish weeping.

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Project Gutenberg
Medoline Selwyn's Work from Project Gutenberg. Public domain.