“Oh, yes,” Miss Livingstone said, rehabilitating herself with a smile, “I must keep you. I’ll do anything you like to make myself more—worth while. I’ll read for the pure idea. I think I’ll take up modelling. There’s rather a good man here just now.”
“Yes,” Hilda assented. “Read for the pure idea—take up modelling. It is most expedient, especially if you marry. Women who like those things sometimes have geniuses for sons. But for me, so far as I count—oh, my dear, do nothing more. You are already an achieved effect—a consummation of the exquisite in every way. Generations have been chosen among for you; your person holds the inheritance of all that is gracious and tender and discriminating in a hundred years. You are as rare as I am, and if there is anything you would take from me, I would make more than one exchange for the mere niceness of your fibre—the feeling you have for fine shades of morality and taste—all that makes you a lady, my dear.”
“Such niminy piminy things,” said Alicia, contradicting the light of satisfaction in her eyes. The sound of a step came from the room overhead, and the light died out. “And what good do they do me!” she cried in soft misery. “What good do they do me!”
“Considerably less than they ought. Why aren’t you up there now? What more simple, honest opportunity do you want than a sick room in your own house?”
Alicia, with a frightened glance at the ceiling, flew to her side. “Oh, hush!” she cried. “Go on!”
“It ought to be there beside him, the charm of you. The room should be full of cool refreshing hints of what you are. Your profile should come between him and the twilight with a scent of violets.”
“It sounds like a plot,” Alicia murmured.
“It is a plot. Why quibble about it? If you smile at him it’s a plot. If you put a rose in your hair it’s a deep-laid scheme, deeper than you perceive—the scheme the universe is built on. We wouldn’t have lent ourselves to the arrangement, we women, if we had been consulted; we’re naturally too scrupulous, but nobody asked us. ’Without our aid He did us make,’ you know.”
“But—deliberately—to go so far! I couldn’t, I couldn’t, even if I could.”
Hilda leaned back in her corner with her arms extended along the back and the end of the sofa. Her hands drooped in their vigour, her knees were crossed, and her skirts draped them in long simple lines. In her symmetry and strength and the warm cloud of her hair and the soul that sat behind the shadows of her eyes Vedder might have drawn her as a tragic symbol for the poet who sang in the King’s garden of wine and death and roses.