Three people, two of them women, sat in the open space at the end of the room where the smoky fog from outside thickened and hung visibly in mid-air, and there was the empty seat of the man who was talking. Laura Filbert was one of the women. She might have been flung upon her chair; her head drooped over the back, buried in the curve of one arm. A tambourine hung loosely from the hand nearest her face; the other lay, palm outward in its abandonment, among the folds that covered her limbs. The folds hung from her waist, and the short close bodice that she wore above them, like a Bengali woman, left visible the narrow gap of flesh which nobody notices when it is brown. Her head covering had slipped and clung only to the knot of hair at the nape of her neck; she lacked, pathetically, the conscious hand to draw it forward. She was unaware even of the gaze of the Duke’s Own, though it had fixity and absorption.
The man with folded hands went on talking. He seemed to have caught as a text the refrain of the hymn that had been sung. “Yes indeed,” he said, “I can tell every one ’ere this night, h’every one, that the Saviour is mighty to keep. I’ve got it out of my own personal experience, I ’ave. Jesus don’t only look after you on a Sunday but six days a week, my friends, six days a week. Fix your eye on Him and He’ll keep His eye on you—that’s all your part of it. I don’t mean to say I don’t stumble an’ fall into sin. There’s times when the Devil will get the upper ’and, but oh, my friends, I ask you each an’ every one of you, is that the fault of Jesus? No, it is not ’is fault, it is the fault of the person. The person ’as been forgetting