But the poor live in huts which are decidedly much more Icelandic.  They are small and low; built of lava blocks, filled in with earth; and as the whole is covered with turf, they might almost be mistaken for natural elevations of the ground, if the wooden chimneys, and low doors, and almost imperceptible windows, did not betray that they were tenanted by human beings.  A dark, narrow passage, not more than four feet high, leads on one hand to the living-room, on the other to the store-room, where the provisions are kept, and where, in winter, the cows and sheep are stabled.  The fireplace is generally at the end of this passage, which is purposely built low to keep out the cold.  Neither the walls nor floors of these huts are boarded; the dwelling-rooms are scarcely large enough for people to sleep in or turn round in; and the whole furniture consists of the bedsteads (very poorly supplied with bedding), a small table, and a few chests—­the latter, as well as the beds, being used for seats.  To poles fastened in the walls are suspended clothes, shoes, stockings, and other articles; and in each hut is generally found a tiny book-shelf supporting a few volumes.  No stoves are needed in these rooms, which are sufficiently warmed by the presence of their numerous inmates.

Speaking of the better classes of the inhabitants of the Icelandic capital, our traveller says:  “Nothing struck me so much as the great dignity of carriage at which the Icelandic ladies aim, and which is so apt to degenerate into stiffness when it is not perfectly natural, or has not become a second nature by habit.  They incline their head very coolly when you meet them, with less civility than we should use towards an inferior or a stranger.  The lady of the house never accompanies her guests beyond the door of the room, after a call; if the husband is present, he goes a little further; but when this is not the case, you are often at a loss which way to turn, as there is no servant on the spot to open the street door for you, unless it may happen to be in the house of the Stiftsamtmann, the first dignitary of the island.”

The church at Reikiavik is capable of accommodating about one hundred and fifty persons; it is built of stone, with a wooden roof, under which is kept a library of several thousand volumes.  It possesses an artistic treasure of no ordinary value in a font by Thorvaldsen, whose parents were natives of Iceland, though he himself was born in Denmark.  Captain Burton describes it as the ancient classical altar, with basso-relievos on all four sides—­subjects of course evangelical; on the top an alto-relievo of symbolical flowers, roses, and passiflorae is cut to support the normal “Dobefal,” or baptismal basin.  In the sacristy are preserved some handsome priestly robes—­especially the velvet vestment sent by Pope Julius II. to the last Roman Catholic bishop in the early part of the sixteenth century, and still worn by the chief Protestant dignitary at ordinations.