The Mafulu eBook

This eBook from the Gutenberg Project consists of approximately 349 pages of information about The Mafulu.

The Mafulu eBook

This eBook from the Gutenberg Project consists of approximately 349 pages of information about The Mafulu.
case is a dull brown red. (4) Another form (Plate 34, Fig. 2) is made of the coarse dull red-brown and stone-yellow materials described with reference to belt No. 2, and is made in the same way.  A specimen of this armlet was 2 1/4 inches wide. (5) Another form (Plate 34, Fig. 1) is in make something like No. 4, but the two materials used are the stone-yellow material of belt No. 2 and the black material of belt No. 6, and the plaiting materials are much finer in thickness than are those of armlet No. 4.  Specimens of this armlet varied in width from 3/4 to 1 1/4 inches. (6) The beautiful large cut single-shell wrist ornament, commonly worn on the coast and plains, whence the Mafulu people procure it.  Armlets will be seen worn by many of the people figured in the plates.

There is no practice of putting armlets on young folk, and retaining them in after life, so as to tighten round and contract the arm.

Leg-bands (Plate 25, Fig. 1) and anklets are worn by both men and women, and also by children, just below the knee and above the ankle.

There is a form of plaited leg-band somewhat similar in make to armlet No. 5, and between half-an-inch and an inch in width, though the colour of this leg-band is a dull brown.  But the usual form of leg-band and anklet is made by women only out of thread fibre by a process of manufacture quite distinct from the stiff plait work adopted for some of the belts and for the armlets.  They make their thread out of fine vegetable fibre as they proceed with the manufacture of the band, rolling the individual fibres with their hands upon their thighs, and then rolling these fibres into two-strand threads, and from time to time in this way making more thread, which is worked into the open ends of the then working thread as it is required—­all this being done in the usual native method.

I had an opportunity of watching a woman making a leg-band, and I think the process is worth describing.  She first made a thread 5 or 6 feet long by the method above referred to, the thread being a two-strand one, made out of small lengths about 5 or 6 inches long of the original fibre, rolled together and added to from time to time until the full length of 5 or 6 feet of thread had been made.  The thread was of the thickness of very coarse European thread or exceedingly fine string.  She next wound the thread into a triple loop of the size of the proposed leg-band.  This triple loop was to be the base upon which she was to make the leg-band, of which it would form the first line and upper edge.  It was only about 11 inches in circumference, and thus left two ends, one of which (I will call it “the working thread”) was a long one, and the other of which (I will call it “the inside thread”) was a short one.  Both these threads hung down together from the same point (which I will call “the starting point").  She then, commencing at the starting point, worked the working thread round the triple base by a series

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The Mafulu from Project Gutenberg. Public domain.