Leader—
FRIEND ELLA, OF THE SHOE-STORE CASHIER’S CAGE.
3—Street near boarding house.
Ella, whose face is
piquant with recognition, waves in a
snappy, “Oh!
Hello, Kid” manner, and goes toward boarding
house.
4—Boarding house steps, as in 2. Close-up of two girls.
Ella comes on and greets Florence in breezy way; Florence is pleased, but her manner of salutation is more quiet, though equally sincere. Ella drops on step, looks at figures, and grins. Florence indicates her depression, due to the figures that will not balance with her meager income. Ella makes a proposition, saying:
Cut-in leader—
“WHY NOT SHARE
A ROOM WITH ME? WE MIGHT EACH SAVE ENOUGH TO
ADD A DILL PICKLE TO
OUR LUNCH.”
Florence is impressed,
and Ella bids her come along and see
the place.[41]
[Footnote 41: Ella definitely introduced; relationship of the girls established. Note characterization in leader.]
5—Wider view of steps.
As Florence rises, she
hesitates, and seems to be averse to
putting her friend to
inconvenience. Ella grins gayly, and
says:
Cut-in leader—
“WHEN YOU SEE
’BRICKDUST ROW’—WHERE I LIVE—YOU
WON’T THINK
I’M DOING YOU
ANY FAVOR.”
She urges Florence to come along. Two girls leave scene.[42]
[Footnote 42: Note planting of tenement name in leader—bringing forecast of atmosphere.]
6—A street corner.
A blind man is selling pencils. Ella and Florence come on. Florence pauses, fishes coin from her purse and buys a pencil. Then, as Ella keeps right on, turning corner, Florence smiles gently and pauses again.
7—Street corner—close-up of hands.
Florence gently slips
the purchased pencil back into hand of
blind man, allowing
her hand to rest commiseratingly on his
arm an instant.
8—Wider view of street corner.
Ella turns to see what
is keeping Florence, who is hurrying
away to avoid the man’s
“Bless you, and the Saints protect
you!"[43]
[Footnote 43: Three scenes contain “human touch.” Note the “close-up” as differing from “bust” used later on.]
Leader—
“BRICKDUST ROW,”
WITH ITS DREARY MONOTONY AND CRUMBLING
DECAY, IS A PLACE TO
SIGH OVER—NOT TO LIVE IN.[44]
[Footnote 44: O. Henry’s atmosphere.]
9—Long view of street with typical tenements.
Showing the dreary atmosphere
of the place as Florence and
Ella come along street
and pause at a doorway.
10—Closer view doorway.
Emphasis of atmosphere.
Ella unlatching door as Florence
touches side-rail of
low stoop and looks downcast,
shuddering a bit.
They go in.