The Old Flute-Player eBook

This eBook from the Gutenberg Project consists of approximately 149 pages of information about The Old Flute-Player.

The Old Flute-Player eBook

This eBook from the Gutenberg Project consists of approximately 149 pages of information about The Old Flute-Player.

It was with the utmost difficulty that she concealed their destination from the landlady and from the slavey who assisted her in packing the small trunks which held their all.  She was always glad of anything which made it absolutely necessary for them to be with her, for her father, long ago, had told her not to ask them into their small rooms when their presence there was not imperatively needed.  She was and had been, ever since she could remember clearly, very lonely, full of longing for companionship—­so very full of longing that, had he not commanded it, she would not have been, as he was, particular about the social status of the friends she made.

Even poor M’riar’s love was very sweet and dear to her, and now, as she was packing for departure the meagre garments of her wardrobe, her scanty little fineries, the few small keepsakes she had hoarded of the pitifully scarce bright days of her life (almost every one of these a gift from her old father, token of a birth-or feast-day) it was with a sudden burst of tears, a rushing, overwhelming feeling of anticipatory loneliness, that she looked at the grimy little child who was assisting her.

M’riar fell back on her haunches with a gasp.  “Garn!” she cried.  “Garn, Miss!  Don’t yer dare to beller!”

A stranger might have thought she was impertinent, for “garn” on cockney lips means “go on, now,” in the slang of the United States, and “beller” is not elegant, but Anna knew that she did not intend an impudence.

“I feel very sad at leaving you, M’ri-arrr.”  There was pathos, now, in the way Miss Anna rolled her r’s.

“Sad!  Huh!  Hi thinks Hi’ll die of it!” was the reply, accompanied by more choked sobs and many snuffles.  “An’ yer won’t heven tell me w’ere yer hoff to!”

“I don’t know, exactly, where we’re off to M’ri-arrr.  Somewhere very far—­oh, very far!”

M’riar, in spite of a firm resolution not to yield to tears, cast herself upon the floor in anguish, and, as she kicked and howled, grasped one of Anna’s hands and kissed it, mumbling it, as an anguished mother might a babe’s—­the hand of an exceedingly loved babe whom she expected, soon, to lose by having given it to someone in adoption.

At that time M’riar looked upon the separation as inevitable.  The wild scheme which, afterwards, grew in her alert and worried brain, had not yet had its birth and she could not take the thought of her Miss Anna’s going with composure.

“Hi didn’t want ter ’oller,” she said, at length, when she had regained her self-control, “but that there yell hinside o’ me was bigger’n Hi ’ad room fer, Miss.”

“It is very sweet of you to weep,” said Anna gravely, “although it is not sweet to hear you weep; but I think it means you love me, M’ri-arrr, doesn’t it?”

“Hi fair wusships yer,” said M’riar.  “Fair wusships yer.”

And there was a strange thing about Miss Anna.  It did not in the least surprise her to be told with an undoubted earnestness, indeed to know, that she was literally worshiped as a goddess might be.  There was something in her blood which made this seem quite right and proper.  She looked at the poor slavey with the kind eyes of a princess gazing at a weeping subject, whose suffering has come through loyalty, and kindly smiled.

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Project Gutenberg
The Old Flute-Player from Project Gutenberg. Public domain.