“Nor Aught nor Nought existed; yon
bright sky
Was not, nor heaven’s broad woof
outstretched above.
What covered all? what sheltered? what
concealed?
Was it the water’s fathomless abyss?
There was not death—yet was
there nought immortal,
There was no confine betwixt day and night;
The only One breathed breathless by itself,
Other than It there nothing since has
been.
Darkness there was, and all at first was
veiled
In gloom profound—an ocean
without light—
The germ that still lay covered in the
husk
Burst forth, one nature, from the fervent
heat.
Then first came love upon it, the new
spring
Of mind—yea, poets in their
hearts discerned,
Pondering, this bond between created things
And uncreated. Comes this spark from
earth,
Piercing and all-pervading, or from heaven?
Then seeds were sown, and mighty powers
arose—
Nature below, and power and will above—
Who knows the secret? who proclaimed it
here,
Whence, whence this manifold creation
sprang?
The gods themselves came later into being—
Who knows from whence this great creation
sprang?
He from whom all this great creation came,
Whether his will created or was mute,
The Most High Seer that is in highest
heaven,
He knows it—or perchance even
He knows not.”
It is evident that in this hymn, the expression of the moment when human thought was partly freed from the earlier anthropomorphic ideas, the scientific faculty which attempts a rational explanation of the world is shown; and although this is an isolated inspiration of the prophet, yet it shadows forth the conclusions to which the primitive Hellenic speculation came when it was deliberately exerted to solve the problem of creation. In fact, there is here an intimation of the waters, of the void or deep abyss, as the beginnings of the world; of the breath of the One, the hidden germ of things developed by means of heat; of productive powers as a lower, and energy as a higher form of nature; of conceptions found in the Ionic, the Pythagorean, and the Eleatic philosophies, which all converge into the one. All belong to the same Aryan race.
The Vedic composition represents in Dyavaprthivi the close connection between the two divinities, Heaven and Earth, the one considered as the active and creative principle, the other as that which is passive and fertilized; the same ideas, more or less worked out, underlie not only the first philosophies, but successive theories and systems. The worship of water, of fire, and of air involved their personification, and they then became exciting principles, in accordance with the law of evolution which we have laid down. In the Rig-Veda, as well as in the Zendavesta, the waters are collectively invoked by their special name apas, and they are termed the mothers, the divine, which contain the amrta