The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.

The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.
gentlemen begin to call out about the want of society, while, if the animals were fit to live where they have forced themselves, they would never want more society than that of a gray stone, or of a clear pool of gushing water.  On the other hand, there are few minds so degraded as not to feel greater pleasure in the picturesque blue than in any other country.  Its distance has generally grandeur enough to meet their moods of aspiration; its near aspect is that of a more human interest than that of hill country, and harmonizes more truly with the domestic feelings which are common to all mankind; so that, on the whole, it will be found to maintain its freshness of beauty to the habituated eye, in a greater degree than any other scenery.

201.  As it thus persuades us to inhabit it, it becomes a point of honor not to make the attractiveness of its beauty its destruction; especially as, being the natural dominion of the villa, it affords great opportunity for the architect to exhibit variety of design.

Its spirit has been proved to be Greek; and therefore, though that spirit is slightly manifested in Britain, and though every good architect is shy of importation, villas on Greek and Roman models are admissible here.  Still, as in all blue country there is much activity of life, the principle of utility should be kept in view, and the building should have as much simplicity as can be united with perfect gracefulness of line.  It appears from the principles of composition alluded to in speaking of the Italian villa, that in undulating country the forms should be square and massy; and, where the segments of curves are small, the buildings should be low and flat, while they may be prevented from appearing cumbrous by some well-managed irregularity of design, which will be agreeable to the inhabitant as well as to the spectator; enabling him to change the aspect and size of his chamber, as temperature or employment may render such change desirable, without being foiled in his design, by finding the apartments of one wing matched, foot to foot, by those of the other.

202.  For the color, it has been shown that white or pale tints are agreeable in all blue country:  but there must be warmth in it, and a great deal too,—­gray being comfortless and useless with a cold distance; but it must not be raw or glaring.[39] The roof and chimneys should be kept out of sight as much as possible; and therefore the one very flat, and the other very plain.  We ought to revive the Greek custom of roofing with thin slabs of coarse marble, cut into the form of tiles.  However, where the architect finds he has a very cool distance, and few trees about the building, and where it stands so high as to preclude the possibility of its being looked down upon, he will, if he be courageous, use a very flat roof of the dark Italian tile.  The eaves, which are all that should be seen, will be peculiarly graceful; and the sharp contrast of color (for this tiling can only

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The Poetry of Architecture from Project Gutenberg. Public domain.