The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.

The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.
space, and becomes part of the large features of the district; so that the whole character and expression of the visible landscape must be considered, and thus the distinction between the two kinds of blue country becomes absolutely necessary.  Of the first, or simple, we have already adduced, as an example, the greater part of the South of England.  Of the second, or picturesque, the cultivated parts of the North and East Ridings of Yorkshire, generally Shropshire, and the north of Lancashire, and Cumberland, beyond Caldbeck Fells, are good examples; perhaps better than all, the country for twelve miles north, and thirty south, east, and west, of Stirling.

A.  The Simple Blue Country.

185.  Now, the matter-of-fact business-like activity of simple blue country has been already alluded to.  This attribute renders in it a plain palpable brick dwelling-house allowable; though a thing which, in every country but the simple blue, compels every spectator of any feeling to send up aspirations, that builders who, like those of Babel, have brick for stone, may be put, like those of Babel, to confusion.  Here, however, it is not only allowable, but even agreeable, for the following reasons:—­

186.  Its cleanness and freshness of color, admitting of little dampness or staining, firm in its consistence, not moldering like stone, and therefore inducing no conviction of antiquity or decay, presents rather the appearance of such comfort as is contrived for the enjoyment of temporary wealth, than of such solidity as is raised for the inheritance of unfluctuating power.  It is thus admirably suited for that country where all is change, and all activity; where the working and money-making members of the community are perpetually succeeding and overpowering each other; enjoying, each in his turn, the reward of his industry; yielding up the field, the pasture, and the mine, to his successor, and leaving no more memory behind him, no farther evidence of his individual existence, than is left by a working bee, in the honey for which we thank his class, forgetting the individual.  The simple blue country may, in fact, be considered the dining-table of the nation; from which it provides for its immediate necessities, at which it feels only its present existence, and in which it requires, not a piece of furniture adapted only to remind it of past refection, but a polished, clean, and convenient minister to its immediate wishes.  No habitation, therefore, in this country, should look old:  it should give an impression of present prosperity, of swift motion and high energy of life; too rapid in its successive operation to attain greatness, or allow of decay, in its works.  This is the first cause which, in this country, renders brick allowable.

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The Poetry of Architecture from Project Gutenberg. Public domain.