174.  It should therefore be remembered by every proprietor of land in hill country, that his possessions are the means of a peculiar education, otherwise unattainable, to the artists, and in some degree to the literary men, of his country; that, even in this limited point of view, they are a national possession, but much more so when it is remembered how many thousands are perpetually receiving from them, not merely a transitory pleasure, but such thrilling perpetuity of pure emotion, such lofty subject for scientific speculation, and such deep lessons of natural religion, as only the work of a Deity can impress, and only the spirit of an immortal can feel:  they should remember that the slightest deformity, the most contemptible excrescence, can injure the effect of the noblest natural scenery, as a note of discord can annihilate the expression of the purest harmony; that thus it is in the power of worms to conceal, to destroy, or to violate, what angels could not restore, create or consecrate; and that the right, which every man unquestionably possesses, to be an ass, is extended only, in public, to those who are innocent in idiotism, not to the more malicious clowns, who thrust their degraded motley conspicuously forth amidst the fair colors of earth, and mix their incoherent cries with the melodies of eternity, break with their inane laugh upon the silence which Creation keeps where Omnipotence passes most visibly, and scrabble over with the characters of idiocy the pages that have been written by the finger of God.

175.  These feelings we would endeavor to impress upon all persons likely to have anything to do with embellishing, as it is called, fine natural scenery; as they might, in some degree, convince both the architect and his employer of the danger of giving free play to the imagination in cases involving intricate questions of feeling and composition, and might persuade the designer of the necessity of looking, not to his own acre of land, or to his own peculiar tastes, but to the whole mass of forms and combination of impressions with which he is surrounded.

176.  Let us suppose, however, that the design is yielded entirely to the architect’s discretion.  Being a piece of domestic architecture, the chief object in its exterior design will be to arouse domestic feelings, which, as we saw before, it will do most distinctly by corresponding with the first part of character.  Yet it is still more necessary that it should correspond with its situation; and hence arises another difficulty, the reconciliation of correspondence with contraries; for such, it is deeply to be regretted, are too often the individual’s mind, and the dwelling-place it chooses.  The polished courtier brings his refinement and duplicity with him to ape the Arcadian rustic in Devonshire; the romantic rhymer takes a plastered habitation, with one back window looking into the Green Park; the soft votary of luxury endeavors to rise at seven, in some Ultima Thule of