The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.

The Poetry of Architecture eBook

This eBook from the Gutenberg Project consists of approximately 205 pages of information about The Poetry of Architecture.

138.  The buttress is the only remaining point worthy of notice.  It prevails to a considerable extent among the villas of the south, being always broad and tall, and occasionally so frequent as to give the building, viewed laterally, a pyramidal and cumbrous effect.  The most usual form is that of a simple sloped mass, terminating in the wall, without the slightest finishing, and rising at an angle of about 84 deg..  Sometimes it is perpendicular, sloped at the top into the wall; but it never has steps of increasing projection as it goes down.  By observing the occurrence of these buttresses, an architect, who knew nothing of geology, might accurately determine the points of most energetic volcanic action in Italy; for their use is to protect the building from the injuries of earthquakes, the Italian having far too much good taste to use them, except in cases of extreme necessity.  Thus, they are never found in North Italy, even in the fortresses.  They begin to occur among the Apennines, south of Florence; they become more and more frequent and massy towards Rome; in the neighborhood of Naples they are huge and multitudinous, even the walls themselves being sometimes sloped; and the same state of things continues as we go south, on the coast of Calabria and Sicily.

139.  Now, these buttresses present one of the most extraordinary and striking instances of the beauty of adaptation of style to locality and peculiarity of circumstance, that can be met with in the whole range of architectural investigation.  Taken in the abstract, they are utterly detestable, formal, clumsy, and apparently unnecessary.  Their builder thinks so himself:  he hates them as things to be looked at, though he erects them as things to be depended upon.  He has no idea that there is any propriety in their presence, though he knows perfectly well that there is a great deal of necessity; and, therefore he builds them.  Where?  On rocks whose sides are one mass of buttresses, of precisely the same form; on rocks which are cut and cloven by basalt and lava dikes of every size, and which, being themselves secondary, wear away gradually by exposure to the atmosphere, leaving the intersecting dikes standing out in solid and vertical walls, from the faces of their precipices.  The eye passes over heaps of scoriae and sloping banks of ashes, over the huge ruins of more ancient masses, till it trembles for the fate of the crags still standing round; but it finds them ribbed with basalt like bones, buttressed with a thousand lava walls, propped upon pedestals and pyramids of iron, which the pant and the pulse of the earthquake itself can scarcely move, for they are its own work; it climbs up to their summits, and there it finds the work of man; but it is no puny domicile, no eggshell imagination, it is in a continuation of the mountain itself, inclined at the same slope, ribbed in the same manner, protected by the same means against the same danger; not, indeed, filling the

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The Poetry of Architecture from Project Gutenberg. Public domain.