of things sympathetically, by assimilating his habits
of thought to their habits of evolution. His
faculties being innate and unadaptable will not allow
him to correct his presumptions and axioms; he will
never be able to make nature the standard of naturalness.
What contradicts his private impulses will seem to
him to contradict reason, beauty, and necessity.
In this paradoxical situation he will probably take
refuge in the conviction that what he finds to exist
is an illusion, or at least not a fair sample of reality.
Being so perverse, absurd, and repugnant, the given
state of things must be, he will say, only accidental
and temporary. He will be sure that his own
a
priori imagination is the mirror of all the eternal
proprieties, and that as his mind can move only in
one predetermined way, things cannot be prevented
from moving in that same way save by some strange
violence done to their nature. It would be easy,
therefore, to set everything right again: nay,
everything must be on the point of righting itself
spontaneously. Wrong, of its very essence, must
be in unstable equilibrium. The conflict between
what such a man feels ought to exist and what he finds
actually existing must, he will feel sure, end by
a speedy revolution in things, and by the removal of
all scandals; that it should end by the speedy removal
of his own person, or by such a revolution in his
demands as might reconcile him to existence, will
never occur to him; or, if the thought occurs to him,
it will seem too horrible to be true.
Such a creature cannot adapt himself to things by
education, and consequently he cannot adapt things
to himself by industry. His choice lies absolutely
between victory and martyrdom. But at the very
moment of martyrdom, martyrs, as is well known, usually
feel assured of victory. The a priori
spirit will therefore be always a prophet of victory,
so long as it subsists at all. The vision of a
better world at hand absorbed the Israelites in exile,
St. John the Baptist in the desert, and Christ on
the cross. The martyred spirit always says to
the world it leaves, “This day thou shall be
with me in paradise.”
In just this way, Shelley believed in perfectibility.
In his latest poems—in Hellas, in
Adonais—he was perhaps a little inclined
to remove the scene of perfectibility to a metaphysical
region, as the Christian church soon removed it to
the other world. Indeed, an earth really made
perfect is hardly distinguishable from a posthumous
heaven: so profoundly must everything in it be
changed, and so angel-like must every one in it become.
Shelley’s earthly paradise, as described in
Prometheus and in Epipsychidion, is too
festival-like> too much of a mere culmination, not
to be fugitive: it cries aloud to be translated
into a changeless and metaphysical heaven, which to
Shelley’s mind could be nothing but the realm
of Platonic ideas, where “life, like a dome
of many-coloured glass,” no longer “stains