system of M. Bergson has neither good sense, nor rigour,
nor candour, nor solidity. It is a brilliant
attempt to confuse the lessons of experience by refining
upon its texture, an attempt to make us halt, for the
love of primitive illusions, in the path of discipline
and reason. It is likely to prove a successful
attempt, because it flatters the weaknesses of the
moment, expresses them with emotion, and covers them
with a feint at scientific speculation. It is
not, however, a powerful system, like that of Hegel,
capable of bewildering and obsessing many who have
no natural love for shams. M. Bergson will hardly
bewilder; his style is too clear, the field where his
just observations lie—the immediate—is
too well defined, and the mythology which results
from projecting the terms of the immediate into the
absolute, and turning them into powers, is too obviously
verbal. He will not long impose on any save those
who enjoy being imposed upon; but for a long time
he may increase their number. His doctrine is
indeed alluring. Instead of telling us, as a stern
and contrite philosophy would, that the truth is remote,
difficult, and almost undiscoverable by human efforts,
that the universe is vast and unfathomable, yet that
the knowledge of its ways is precious to our better
selves, if we would not live befooled, this philosophy
rather tells us that nothing is truer or more precious
than our rudimentary consciousness, with its vague
instincts and premonitions, that everything ideal
is fictitious, and that the universe, at heart, is
as palpitating and irrational as ourselves. Why
then strain the inquiry? Why seek to dominate
passion by understanding it? Rather live on;
work, it matters little at what, and grow, it matters
nothing in what direction. Exert your instinctive
powers of vegetation and emotion; let your philosophy
itself be a frank expression of this flux, the roar
of the ocean in your little sea-shell, a momentary
posture of your living soul, not a stark adoration
of things reputed eternal.
So the intellectual faithlessness and the material
servility of the age are flattered together and taught
to justify themselves theoretically. They cry
joyfully, non peccavi, which is the modern
formula for confession. M. Bergson’s philosophy
itself is a confession of a certain mystical rebellion
and atavism in the contemporary mind. It will
remain a beautiful monument to the passing moment,
a capital film for the cinematography of history,
full of psychological truth and of a kind of restrained
sentimental piety. His thought has all the charm
that can go without strength and all the competence
that can go without mastery. This is not an age
of mastery; it is confused with too much business;
it has no brave simplicity. The mind has forgotten
its proper function, which is to crown life by quickening
it into intelligence, and thinks if it could only
prove that it accelerated life, that might perhaps
justify its existence; like a philosopher at sea who,
to make himself useful, should blow into the sail.