In the year 1819, at a college breakfast, I met a Mr. Prosser—a thin, grave, but rather chatty old gentleman, with very white hair drawn back into a pigtail—and he told us all, with a concise particularity, a story of his cousin, James Prosser, who, when an infant, had slept for some time in what his mother said was a haunted nursery in an old house near Chapelizod, and who, whenever he was ill, over-fatigued, or in anywise feverish, suffered all through his life as he had done from a time he could scarce remember, from a vision of a certain gentleman, fat and pale, every curl of whose wig, every button and fold of whose laced clothes, and every feature and line of whose sensual, benignant, and unwholesome face, was as minutely engraven upon his memory as the dress and lineaments of his own grandfather’s portrait, which hung before him every day at breakfast, dinner, and supper.
Mr. Prosser mentioned this as an instance of a curiously monotonous, individualised, and persistent nightmare, and hinted the extreme horror and anxiety with which his cousin, of whom he spoke in the past tense as ‘poor Jemmie,’ was at any time induced to mention it.
I hope the reader will pardon me for loitering so long in the Tiled House, but this sort of lore has always had a charm for me; and people, you know, especially old people, will talk of what most interests themselves, too often forgetting that others may have had more than enough of it.
CHAPTER XIII.
IN WHICH THE RECTOR VISITS THE TILED HOUSE, AND DOCTOR TOOLE LOOKS AFTER THE BRASS CASTLE.
Next morning Toole, sauntering along the low road towards the mills, as usual bawling at his dogs, who scampered and nuzzled hither and thither, round and about him, saw two hackney coaches and a ‘noddy’ arrive at ‘the Brass Castle,’ a tall old house by the river, with a little bit of a flower-garden, half-a-dozen poplars, and a few old privet hedges about it; and being aware that it had been taken the day before for Mr. Dangerfield, for three months, he slackened his pace, in the hope of seeing that personage, of whom he had heard great things, take seisin of his tabernacle. He was disappointed, however; the great man had not arrived, only a sour-faced, fussy old lady, Mrs. Jukes, his housekeeper and a servant-wench and a great lot of boxes and trunks; and so leaving the coachman grumbling and swearing at the lady, who, bitter, shrill, and voluble, was manifestly well able to fight her own battles, he strolled back to the Phoenix, where a new evidence of the impending arrival met his view in an English groom with three horses, which the hostler and he were leading into the inn-yard.
There were others, too, agreeably fidgeted about this arrival. The fair Miss Magnolia, for instance, and her enterprising parent, the agreeable Mrs. Macnamara: who both as they gaped and peeped from the windows, bouncing up from the breakfast-table every minute, to the silent distress of quiet little Major O’Neill, painted all sorts of handsome portraits, and agreeable landscapes, and cloud-clapped castles, each for her private contemplation, on the spreading canvas of her hopes.