How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.

How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.
the back of the head, when it fell forward just as if it had belonged to a figure made with joints; he then gave it a chuck of the chin so violent that it sent the head back so as to lean on the coat collar; at last he put it in its proper position, he then operated upon the arms and legs of the image actor in the same manner, and so perfectly lifeless did he appear, that many new comers who had not heard the introductory speech of the showman, absolutely thought that it was on inanimate figure made to imitate a man that was before them, as the orator always designated his piece of still life his mecanique, which means machine; in order to afford every one the benefit of a close examination, he lifted up his automaton, then flumped him directly opposite and close to the persons who formed part of the circle and whom he judged were most likely to throw a sou, bidding us observe that even the eye never winked and that there was not the slightest breathing perceptible, and in justice I must say I never saw an actor better play his part, for watch him as closely as you would there never was the least symptom of life visible.  I had often before seen images made to imitate men, but never had till then seen a man imitate an image:  a few paces farther was a man acting a variety of parts with extraordinary humour, an old nurse out of place, then a young lover entreating his mistress to have pity on him, next a man in a violent passion, presently, an epicure eating bonbons on the verge of the grave; the inexhaustible force of lungs, the incessant supply of words and ideas that many of them appeared to possess, to me was quite a matter of wonderment.  At a short distance is a fort with cannon, whilst persons take a cross-bow and shoot at it; if they can hit one of the guns it naturally goes off; for the privilege of having a shot, a sou is paid if he do not hit the cannon, but if he succeed in so doing, he receives a sou; the reader may suppose that a miss takes place at the rate of about seven times to a hit; and after several young countrymen had been trying in vain, and had lost a good many pence, they began to grumble and declare that it was next to impossible to hit the cannon more than once in a hundred times, upon which the proprietor himself took the cross-bow and at the same distance as the others stood, hit the cannon five times running with the most perfect apparent ease, which certainly silenced the grumblers, but convinced them of their own awkwardness.  My attention was next attracted by a pretty little building surrounded by moss and trees, at the top of a large glass globe which contained water with several gold and silver fish swimming in it, while some canary birds, who were sometimes perching on the house, the moss, or the trees, ever and anon flew to the bottom of the globe and were seen fluttering about amongst the fish, then ascend to their little building without having wetted a feather; the effect is very pretty and the deception is pleasing, inasmuch
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How to Enjoy Paris in 1842 from Project Gutenberg. Public domain.