The Rue and Place Dauphine, the Place Royale, which still exhibits a square of houses unaltered in style since the day they were built, owed their construction to his mania for building and passion for augmenting and improving his capital. Several other streets were extended and in part rebuilt under his reign, besides which he founded different institutions, had divers fountains and gates erected, as well as bridges, and some other public edifices, which having since disappeared or become the houses of individuals, workshops, warehouses, etc., it is not worthwhile to recapitulate them, as they cease to be objects of interest. Several theatres were established at this period for the first time, the performers having merely given representations in large rooms belonging to public buildings where they could get accommodation, particularly in the Hotel de Bourgoyne, in the Rue Mauconseil, which at last acquired the name of a theatre; but a company of Italians received such encouragement from Henry IV, that they were enabled, in a situation assigned them regularly, to establish a theatre in the Hotel d’Argent, Rue de la Poterie, corner of the Rue de la Verrerie. He was equally the patron of literature, and of the arts and sciences; the Tuileries and Louvre, under his directions, received the material and superintendence which was requisite for their completion, as far as the design extended at that epoch.
In 1610 Louis XIII, but nine years of age, became heir to the throne, and Marie de Medici, his mother and widow of Henry IV, was nominated Regent; her first act was to call into power all her husband’s enemies, which consisted of her own favourites, through whom she governed, and when her regency ceased, her son followed her example and became the instrument of others, until the power of governing was exclusively