The first object that strikes the traveller, as he approaches Paris, is the Triumphal Arch, erected with the view of commemorating the victories of Napoleon, but as those victories were ultimately crowned by defeat, it is more consistent to consider the Triumphal Arch as a triumph of art than of arms; as certainly the magnificence and sublimity of the design is only to be equalled by the exquisite beauty of the execution. Having passed this noble monument and splendid specimen of architectural talent, the Champs Elysees extend in all their beauty to the view of the beholder, presenting a fine broad road with rows of lofty trees on either side, whilst handsome buildings and superb fountains are occasionally visible from behind the foliage; and one of the latter, which rises exactly in the centre, has a most happy effect; from this circle several roads diverge in different directions, displaying various objects of interest, but none of so high an order as that of the Hospital of Invalids, for aged and wounded soldiers, the whole expanse of which is seen in the distance at the end of a long wide avenue of trees. From the Triumphal Arch on either side extends a row of ornamental lamps for nearly a mile, which when lighted have the most brilliant effect; and when it is considered how very small the distances are between each lamp, I believe the assertion to be correct, that there is not another such display of gas anywhere to be found. Arrived at the Place Louis Quinze, or Place de la Concorde, as it is now called, such a coup d’oeil is presented as remains unrivalled in Europe, or indeed, in any part of the world. On one side, at the end of a handsome and regular street, called the Rue Royale, rises in majestic height the Madeleine, with its noble columns crowned by its sculptured entablature in mezzo relievo, and adorned by its numerous statues, yet preserving a chaste simplicity throughout the whole. On the opposite side facing it, in a direct line at the end