How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.

How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.

Although I have left it to the last, I must not entirely omit to mention the Odeon theatre, to which I have already adverted; little can be judged from it at present, having only just re-opened.  Mlle. George is endeavouring, in the eve of her days, to afford it the support of her now declining powers; she is however ably sustained by Achard.  Vernet also is a good actor, and they have others who are by no means deficient.  It begins at 7, and the prices are from 1 franc to 5.

In addition to those I have already stated, there are about a dozen more theatres, inducting such as are just outside the Barriers, and although theatrical speculations have generally been very unfortunate recently, yet it does not appear to arise so much from the want of audiences, but from paying the great performers too highly, and having too many of all descriptions.  There are besides several public concerts, of which the one styled Muzard’s, in the Rue Neuve-Vivienne, is the best; the price of entrance to most of them is 1 franc.  Several public balls are constantly going forward in gardens during the summer, and in large saloons in the winter; they are mostly attended by the lower order of tradespeople, or by females of indifferent character, except in the Carnival, and then more respectable characters go to the masked balls at the theatres which are the most expensive; the ladies however only as spectators, generally speaking, but their attractions are too irresistible to many, for them to suffer the season to pass over without once joining the gay throng, particularly to some who have a great delight in mystifying a friend or acquaintance, and telling them a few home truths under the protecting shield of a mask, having opportunities of so doing at the public balls without fear of being recognised; whereas concealment at private masquerades can seldom be preserved to the last.  It is most usual for ladies who visit the theatres to see the masked balls only to remain in a box with their party, and from thence to view the motley group; there are however some females even of rank who cannot resist the charm of going entirely incognito, to puzzle and perplex different persons whom they know will be there, only confiding to one or two dearest friends their little enterprise, to whom they recount the adventures of the evening.

All strangers sojourning at Paris are generally directed to devote their earliest attention to the Gallery of Pictures at the Louvre, and I had intended to have bestowed much space to that object, but I find such excellent works published on that subject at only one or two francs, that I would recommend my readers to furnish themselves with one and take it with them to the Louvre when they go there; they can procure them of M. Amyot, No. 6, Rue de la Paix, where they will also find almost every publication they are likely to require, and will meet with the utmost civility and attention.  There are continually changes taking

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How to Enjoy Paris in 1842 from Project Gutenberg. Public domain.